Keith Christopher has built a career as a prolific composer, arranger, and lyricist working across choral, band, and orchestral genres. Since 1992, ASCAP has recognized his contributions annually, and his accolades include a Gold Record Award for "A Merry Christmas with Brass" with The Dallas Brass and a Dove Award for the choral collection "More Songs for Praise and Worship."
Based in the Nashville area with his wife Tammy, Christopher maintains an active publication presence with multiple major music publishers. His catalog spans hundreds of works performed internationally, and he has also produced over a thousand recordings for the industry. Beyond composing, he is the author of the children's book "The First Christmas Night," reflecting his broad engagement with musical storytelling.
Why we love this
Christopher's gift for setting text with genuine emotional resonance shines here. This octavo carries the kind of sincerity and accessibility that lets your singers focus on the message rather than wrestling with complexity, making it ideal for congregational settings or community performances where connection matters most.
What to expect
Uplifting and grounded, with warmth that comes from straightforward harmonic language and text that speaks directly to the listener. The piece builds gradually from a gentle opening into something communal and affirming without ever losing its intimate quality.
Who it's for
Intermediate to advanced SATB choirs seeking repertoire for worship services, concert programs, or community events. Works equally well for volunteer church ensembles and high school or college singers.
How to get the most out of it
Balance the inner voices carefully in the transition passages so the sopranos and altos don't get buried when the texture thickens.
Work the diction as a unified ensemble in the shorter notes; clarity on repeated syllables will strengthen the rhythmic drive.
Allow the tenors and basses to breathe naturally at marked phrase endings rather than pushing straight through to maintain vocal freshness across all five pages.
How to use it
Pair this with other sacred octavos for a morning worship service, or feature it as a standalone concert closer where an affirming, positive message lands well with your audience. Its five-page length makes it a manageable addition to almost any choral season.
Skills your students will build
Balancing SATB voicing in close harmony
Singing through sustained phrase lengths with breath control
Achieving clarity and diction across repeated text phrases
Responding to dynamic and expressive marking in a lyrical context
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