This Is the Day! Cover Image

This Is the Day!: SoundTrax Digital Audio Download

$27.99 USD
Sale price  $27.99 USD Regular price 
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This Is the Day! Cover Image

This Is the Day!: SoundTrax Digital Audio Download

Words inspired by Psalm 118, music and additional words by Sally K. Albrecht

Item: 00-A-00015694

$27.99
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00015694
Instrumentation: with Opt. Trumpet & Snare Drum

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over forty years as a composer, conductor, and clinician with particular expertise in choral movement and staging. Since 1987, she has been an annual recipient of the ASCAP Special Music Award and has published more than 600 choral works along with 75 larger musicals and songbooks. Her conducting has taken her to honor choir festivals at Lincoln Center, Carnegie Hall, and The Kennedy Center, and she spent three decades directing choral, vocal, and elementary publications for major educational music publishers, including her tenure at Alfred Music.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. She received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021 and previously served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society. She lives in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht's gift for text painting and accessible harmonic writing makes this a joy to teach without sacrificing musical substance. The optional trumpet and snare drum parts add visual and sonic interest while remaining completely optional, so you're never locked into instrumentation choices. This is the kind of piece that connects with singers immediately and works equally well in concert or festival settings.

What to expect

The piece radiates affirmation and joy, with harmonic progressions that feel both accessible and genuinely musical. Albrecht's text setting creates natural phrasing and momentum that allows singers to connect emotionally with the material rather than simply reading notes.

Who it's for

This piece suits choirs at the high school level and above, whether they're preparing for a concert, festival competition, or special liturgical service. Singers benefit from the clear writing and singable ranges while directors appreciate the flexibility to perform it with or without instruments depending on their ensemble resources.

How to get the most out of it

  • Balance the optional trumpet line carefully against the choir so it enhances rather than dominates; this works best when the trumpet player knows when to sit back during the full ensemble sections.
  • Use the recorded accompaniment to establish tempo and phrasing for your first rehearsals, then gradually move away from it so your singers develop independence and confidence in sustaining the line.
  • If you're including the snare drum, rehearse it separately with your rhythm section to ensure the articulation sits cleanly under the text and doesn't rush ahead of the choir's pulse.
  • Record your own rehearsal performance once the piece is nearly performance-ready and listen critically for balance between voices; often the middle voice needs reinforcement in mixed sections.

How to use it

Position this as a strong opening number for a concert or as a standalone festival selection that stands out without requiring extensive rehearsal time. It also works beautifully as a processional or celebration piece for school assemblies and ceremonies where you want something musically substantial yet immediately engaging.

Skills your students will build

  • Confident ensemble singing in sacred/concert idiom
  • Reading chord-based harmonic structures
  • Phrase shaping and text expression in accessible arrangements
  • Independence when singing with optional instrumental parts
  • Sustaining tone in longer phrase structures

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