This Is My Song! Sheet Music Preview

This Is My Song!: SATB Choral Octavo

Arranged by Roger Emerson

Item: 35-DS00264711

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00264711

More about this title

About the Arranger: Roger Emerson

Roger Emerson has built a career as one of the most prolific and respected choral arrangers in music education, with hundreds of pieces published across all levels and voicings. His arrangements are known for their musicality, singability, and ability to energize singers while remaining accessible to ensembles of varying abilities.

Emerson's work spans sacred and secular repertoire, from spirituals and folk songs to contemporary pieces and pop arrangements. Directors return to his writing again and again because he understands how to balance musical depth with practical ensemble needs.

Why we love this

Emerson's gospel-inflected approach brings joy and immediacy to this arrangement without requiring extensive rehearsal time or specialized vocal production techniques. The SATB voicing distributes the musical material so every voice part feels essential, and the writing sits naturally in the voice with singable ranges and clear harmonic movement.

What to expect

The piece radiates warmth and affirmation, with the gospel harmonic language creating an uplifting, celebratory character. Singers feel energized by the rhythmic drive and the opportunity to interpret the material with soulful expression.

Who it's for

This octavo works beautifully for choirs seeking to expand beyond traditional concert repertoire and connect with audiences through contemporary gospel idiom. High school, college, and community choirs all benefit from this accessible yet musically satisfying arrangement.

How to get the most out of it

  • Establish the groove early by locking in the rhythmic pulse during warm-ups; gospel style relies on confident, steady time-keeping from the ensemble.
  • Shape the dynamic arc intentionally, allowing the piece to build naturally toward climactic moments rather than staying at one volume throughout.
  • Encourage soloists or section leaders on the melody line to sing with personality and conviction; this style rewards individual expressiveness within the ensemble texture.

How to use it

Position this among lighter repertoire on a concert that includes spirituals or contemporary pieces, where its gospel roots feel at home. It also pairs well as a closer to a program where you want to leave audiences in an uplifted, joyful frame of mind.

Skills your students will build

  • Singing with rhythmic independence and swing eighth-note subdivision
  • Gospel harmonic vocabulary and harmonic function
  • Balancing part independence with ensemble blend
  • Stylistically appropriate vocal production and phrasing for contemporary sacred idiom

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