This Is Me (from The Greatest Showman) (arr. Mac Huff): 2-Part Choral Octavo

Mac Huff's arrangement captures the anthem quality of this song while keeping the voicing manageable for developing choirs. The piece sits in a singable range for most singers and builds emotional intensity in ways that feel earned rather than manufactured, giving your students real interpretive work to do.

The song carries an affirming, defiant quality that celebrates self-acceptance. The melody unfolds with warmth and sincerity, building from introspective moments into a powerful statement of identity, making it an uplifting choice for singers to connect with personally.

This arrangement works well for middle school, high school, and recreational choirs looking for contemporary material with genuine emotional weight. It's particularly effective for groups working on their first ventures into film and Broadway literature, as the two-part voicing removes harmonic complexity without sacrificing depth.

• Balance the two parts so the melody remains clear; this arrangement works best when the top line projects slightly over the bottom part, even when both are singing full voice.
• Shape the phrase contours generously. "This Is Me" thrives on dynamic swells that match the lyrical arc, so mark your phrase peaks before rehearsing.
• Ground the bottom part rhythmically. Keep the supporting harmony locked in place so the melody line can breathe with confidence.
• Attend to the recorded accompaniment cues if you're using a backing track; the tempo sits comfortably at a moderate pace that allows for clear diction and emotional communication.

Pair this with other contemporary choral arrangements to create a Broadway or film music concert set. It also stands alone beautifully as a standalone selection for spring concerts or pops programs, where its inspirational message and broad appeal resonate with diverse audiences.

• Sustaining legit vocal tone while executing clear diction in a contemporary idiom
• Shaping long melodic phrases with intentional dynamic architecture
• Balancing independent two-part harmony while maintaining ensemble unity
• Interpreting emotional subtext through vocal expression and phrasing