This Is Me (from The Greatest Showman) (arr. Mac Huff): SAB Choral Octavo

Mac Huff's SAB arrangement captures the defiant vulnerability at the heart of this song without sacrificing the soaring melodic appeal that makes it so singable. The three-part texture allows you to feature soloists or highlight different sections without the complexity of a full SATB score, making it accessible for mid-level choirs while remaining emotionally impactful for concert performance.

Despite its pop sensibility, this arrangement preserves the anthem quality of the original. You'll find moments of genuine vulnerability mixed with triumphant declarations, supported by harmonic colors that feel fresher than typical SAB fare. The piece builds organically, with each section earning its emotional weight.

Choirs seeking contemporary material that works at the high school or community college level will find this arrangement immediately accessible without being condescending. Directors wanting to program film music alongside traditional repertoire will appreciate both the musical quality and the cultural familiarity that engages singers and audiences alike.

• Anchor the ensemble sound in the alto line during the verse sections; this voice carries harmonic weight that supports the upper voices and prevents the SAB texture from feeling thin.
• Shape the climactic moments with careful attention to dynamics rather than tempo change alone. The lyrics demand emotional commitment, so work for genuine crescendos rather than rushing into the belt.
• Balance the soprano melody against any soloists carefully. If you're featuring a vocalist on the main line, the choir should provide support without competing for attention.
• Keep vowels unified and tall, especially on sustained notes in the upper register. This song thrives on clarity and projection without strain.

This works beautifully in a concert celebrating film music or in a program mixing musical theater with concert repertoire. Consider programming it near a contrasting piece to highlight the emotional range available in your choir, or use it as an encore that leaves audiences energized and satisfied.

• Balancing melody and harmony in three-part mixed voicing
• Managing sustained melodic lines across multiple octaves
• Interpretation of contemporary popular music through a choral lens
• Emotional communication through legit vocal technique
• Ensemble unity across uneven voice distribution (SAB proportions)