Benj Pasek and Justin Paul have established themselves as major voices in contemporary musical theater, with their work spanning Broadway, film, and concert stages. Their songs combine theatrical storytelling with genuine emotional resonance, making their music equally effective in the concert hall and the rehearsal room.
Why we love this
Audrey Snyder's arrangement captures the raw vulnerability of the original while making it accessible to a three-part mixed ensemble. The piece balances singability with enough textural interest to hold an audience's attention, and it programs beautifully alongside both contemporary pop arrangements and traditional choral repertoire.
What to expect
The piece carries an intimate, confessional quality that invites singers and listeners into a moment of self-acceptance. Despite its theatrical origins, it reads as deeply personal rather than performative, with a gentle vulnerability that builds toward quiet strength.
Who it's for
This arrangement works for middle school through adult choirs seeking contemporary material with real musical substance. It's especially valuable for ensembles wanting to program film music that doesn't sacrifice artistry for familiarity.
How to get the most out of it
Prioritize the lyrical line over perfect rhythmic precision in the verse sections. The emotional authenticity of the text will land harder than metronomic accuracy.
Let the dynamic shape build gradually through the arrangement rather than jumping to forte early. This song earns its power, not declares it.
Balance the three parts so that no single voice dominates; think of them as equal voices in conversation rather than melody plus accompaniment.
How to use it
This lands perfectly in a concert exploring identity and belonging, or as a bridge between classical and contemporary repertoire. Consider pairing it with other modern songs that share similar themes of self-discovery and acceptance.
Skills your students will build
Navigating contemporary harmonic language with diatonic foundations
Sustaining emotional connection across a longer form arrangement
Balancing part independence with unified ensemble sound
Interpreting film music within a choral context
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