This Is It (arr. Alan Billingsley): SAB Choral Octavo

Alan Billingsley's SAB arrangement captures the infectious optimism of this song while remaining genuinely accessible for three-part mixed choirs. The voicing avoids unnecessary complexity, letting the melody shine through while giving singers meaningful harmonic material. Directors appreciate how this sits comfortably at rehearsals without demanding extensive sectional work.

Pure joy and forward momentum. The arrangement propels listeners along with its bright harmonic movement and affirming text. Singers feel the satisfaction of locking into ensemble blend while delivering a crowd-pleasing performance that celebrates optimism.

Middle school and high school choirs seeking uplifting repertoire that doesn't require advanced vocal ranges or complex harmonic reading. Groups building confidence in three-part mixed voicing will find this both approachable and genuinely musical. The film connection makes it appealing for programs that blend concert and entertainment contexts.

• Bring out the rhythmic energy in the altos and basses; they anchor the groove and shouldn't sit passively beneath the soprano line.
• Balance the part writing so no single voice dominates unless the arrangement specifically calls for it; blend creates the celebratory feel this song demands.
• Lock in the rhythmic precision during the refrain sections; even light syncopation needs clarity from all three parts simultaneously.

Ideal as a concert opener or closing number when you want to send audiences out energized rather than contemplative. This works equally well in a spring pops concert, a family matinee, or a show-inspired program where you're mixing standards with contemporary selections. The familiar source material and Billingsley's clear arranging style make it a smart choice for audiences unfamiliar with advanced choral idioms.

• Blend and balance across three distinct vocal lines
• Rhythmic precision in ensemble contexts
• Reading SAB voicing conventions
• Projecting text with consistency across parts
• Maintaining melodic independence while supporting the overall harmonic framework