This Here (Dis Here): Jazz Ensemble Conductor Score & Parts

Erik Morales's arrangement captures the irresistible groove and bluesy warmth of Timmons's original while giving a full jazz ensemble something genuinely fun to execute. At Grade 3, this chart strikes the balance between challenging (that trumpet lead range, the waltz meter in a jazz context) and totally achievable for a working ensemble. The written alto solo gives soloists a clear melodic anchor while the energy level means students leave rehearsal energized, not depleted.

Sophisticated groove in three. The waltz meter gives this piece a floating, slightly hipster vibe compared to straight 4/4 swing, while the bluesy melody and consistent 174 BPM tempo keep it propulsive and fun. It feels like walking into a jazz club where the band knows exactly what they're doing and has invited you to join.

Grade 3 jazz ensembles ready to tackle a classic jazz composition with genuine performance standard. This chart works best for groups with solid section reading skills, a functional rhythm section, and at least one alto saxophonist comfortable with improvisation or melodic interpretation.

• Nail the triplet-feel swing in 3/4 before adding tempo. The waltz meter in a jazz context can feel awkward if the ensemble doesn't lock into the triplet subdivision first at a slower tempo, then build to 174 BPM.
• Balance the melody line between alto, trumpet 2, and guitar so no single voice overwhelms. These instruments need to blend as one melodic unit, not compete.
• Shape the alto solo with space and dynamics. A written solo is an outline, not a cage; encourage the soloist to use the melody as a launching point for expression within the changes.
• Lock the rhythm section into the groove before adding horns. The waltz time signature in a jazz setting demands that piano, bass, and drums agree on pocket and swing feel, or the whole ensemble will feel tentative.

Program this as the centerpiece of a jazz concert or festival set where you want to showcase ensemble cohesion and groove. It pairs well with a ballad or slower blues to frame the energy, and it reads as both a crowd pleaser and a serious musical choice. The 4:39 duration makes it ideal for contest or festival time slots.

• Swing feel in triple meter (3/4 waltz time with triplet subdivision)
• Leading melody lines across multiple instruments (alto, trumpet, guitar)
• Solo phrasing over chord changes and rhythmic pockets
• Ensemble balance and blend in a groove-oriented context
• Jazz articulation and section cohesion at medium tempo