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Thirty-six Vocalises in Modern Style (Spicker): Mezzo Soprano or Baritone Voice Book

$19.95 USD
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Thirty-six Vocalises in Modern Style (Spicker)  Cover Image

Thirty-six Vocalises in Modern Style (Spicker): Mezzo Soprano or Baritone Voice Book

By M. Bordogni

Item: 00-K09149

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Description
A collection of vocal exercises arranged for Mezzo Sopranno or Baritone voice, composed by M. Bordogni.

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 152
ISBN10: 0-7579-8169-0
ISBN13: 978-0-7579-8169-2
UPC: 029156038682
SKU: 00-K09149

More about this title

About the Composer: M. Bordogni

Marco Bordogni (1789-1856) was an Italian baritone and vocal pedagogue whose exercises remain cornerstones of classical voice training. A celebrated performer across European opera houses, Bordogni developed his vocalise collections from decades of stage experience, distilling the technical and musical demands singers face into progressively sophisticated études.

Why we love this

These vocalises strike an uncommon balance between technical rigor and genuine musicality. Unlike exercises that feel purely mechanical, Bordogni's work for mezzo soprano and baritone voices maintains melodic interest throughout, making daily practice feel like singing real music rather than drilling patterns. The collection gives these voices the serious pedagogical resource they deserve.

What to expect

Singing Bordogni feels like sculpting tone. Each vocalise combines flowing, singable melody with technical challenges that demand focus and control without sounding artificial. There's a clarity and elegance to the writing that makes singers feel capable while pushing them past their current limits.

Who it's for

Mezzo soprano and baritone students preparing for auditions, competitions, or advanced vocal technique study will find these exercises essential for building secure passaggio transitions and extended range. Voice teachers seeking substantial, historically grounded material for intermediate to advanced singers will appreciate the depth and musicality of this comprehensive collection.

How to get the most out of it

  • Connect each phrase as you would in an art song, resisting the temptation to treat vocalises as disconnected technical drills.
  • Pay attention to Bordogni's dynamic markings and tempo indications; they guide interpretation and prevent monotonous delivery.
  • Use a neutral syllable (ah, oh, or eh) consistently throughout, adjusting vowel color only when the score specifies otherwise.
  • Work through the collection in order rather than jumping to advanced pieces; each vocalise builds on problems solved in earlier studies.

How to use it

These vocalises live in the practice studio rather than the concert hall, making them ideal for voice students preparing for recitals or performances of more substantial repertoire. A voice teacher might assign one or two from the collection as warm-up material before coaching standard art song or opera repertoire.

Skills your students will build

  • Legato line singing across the passaggio
  • Breath control over extended phrases
  • Accurate intonation in wide intervallic leaps
  • Evenness of tone across the full range
  • Stylistic awareness in the Romantic vocal idiom
  • Technical fluency with rapid note patterns and scalar passages

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