Thirty Selected Works for Three Horns (Mozart, Mendelssohn, Kling, etc.): French Horn Parts Only
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Thirty Selected Works for Three Horns (Mozart, Mendelssohn, Kling, etc.): French Horn Parts Only comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Why we love this
This collection pulls masterworks from the brass trio canon into one focused resource, eliminating the hunt through multiple editions. The variety within these thirty selections means you'll find pieces suited to different skill levels and stylistic demands, from Mozart's elegant phrasing to Mendelssohn's richer harmonic language.
What to expect
Elegant and conversational, with three equal partners moving through lines that feel natural for the horn voice. These works balance lyrical passage work with moments of harmonic richness, demanding musicianship that reflects Classical discipline through Romantic expression.
Who it's for
Horn trios seeking contest or festival repertoire that avoids the most obvious choices while maintaining high musical standards. This collection serves advanced high school and college players who want variety without juggling separate sheet music purchases.
How to get the most out of it
- Balance the three parts as equal voices rather than treating one horn as a soloist; these works reward transparent counterpoint when all three lines sit in the mix with similar weight.
- Use the printed parts to clarify which composer wrote each work, since stylistic expectations shift between Mozart's Classical restraint and the Romantic voice of pieces like Mendelssohn's.
- Establish a shared understanding of vibrato before rehearsal; these classical and early Romantic works benefit from conservative use compared to later repertoire.
How to use it
Build a contest program around one or two pieces from this collection paired with contemporary brass trio work for contrast. These selections also work well as collaborative chamber pieces within a larger concert, especially when horn trios need material that won't overshadow vocal or string programming.
Skills your students will build
- Balancing three equal voices in ensemble texture
- Interpreting Classical phrasing across different composers
- Reading and intonating in various transpositions and ranges
- Executing idiomatic horn writing across Mozart through early Romantic periods
- Sustaining phrase length and line continuity without keyboard support