Think Of Me (from The Phantom Of The Opera) (arr. Kirby Shaw): SSA Choral Octavo

Kirby Shaw's arrangement captures the vulnerability and yearning of this iconic soprano solo while making it accessible to SSA ensembles. The piece allows singers to inhabit a genuine dramatic moment rather than simply performing notes, and the arrangement preserves enough of the original's harmonic language that singers feel they're engaging with real Webber, not a watered-down version.

Tender and introspective, with moments of aching longing beneath a controlled surface. The piece invites singers into genuine vulnerability while maintaining the theatrical polish that makes Broadway so satisfying to perform.

Choirs seeking a Broadway selection with genuine dramatic weight and a manageable range for SSA voicing. Directors want repertoire that appeals to student singers because the melody is recognizable and the emotional stakes feel real, not trivial.

• Shape the opening phrases with attention to where Kirby has placed sustained notes; these are your moments to establish the emotional foundation before the melody emerges.
• Balance the alto and second soprano parts carefully in the accompaniment sections so the melody remains the clear focal point without drowning out the harmonic support underneath.
• Let the piece breathe at phrase endings rather than pushing through; the dramatic power lives in the quiet space between ideas.
• Work the unison sections with precision since any wavering in alignment will undermine the emotional directness Webber built into this melody.

Pair this with other musical theatre selections to build a substantial Broadway set, or slot it into a concert exploring themes of longing and memory. The familiar melody makes it an excellent audience connector without requiring listeners to know The Phantom of the Opera.

• Sustaining long legit lines with controlled breath support
• Balancing part independence with melodic clarity in accompanied texture
• Phrasing theatrical material with genuine expression rather than mechanical precision
• Singing in mixed ensemble voicing (SSA) while maintaining individual line integrity