Think Of Me (from The Phantom Of The Opera): Piano Vocal
Think Of Me (from The Phantom Of The Opera) Sheet Music Preview

Think Of Me (from The Phantom Of The Opera): Piano Vocal

As performed by Andrew Lloyd Webber / As performed by The Phantom Of The Opera (Musical)

Item: 35-DS00042245
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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00042245

More about this title

About the Artist: Andrew Lloyd Webber

Andrew Lloyd Webber fundamentally changed musical theater by treating the genre as a vehicle for sophisticated orchestration and memorable melody. His works have trained generations of singers and musicians to navigate the specific demands of contemporary music theater: sustained legit singing, emotional storytelling through music, and the technical precision that Broadway demands.

Webber's compositions have become staples in voice studios, piano studios, and music education settings worldwide. His influence extends beyond performance; his music teaches singers about phrasing, dynamic control, and the relationship between text and melody in ways that classical art song sometimes does not.

Why we love this

This aria sits at the intersection of accessibility and genuine vocal challenge. The melody is immediately singable and the emotional arc is transparent, yet the sustained high passages and emotional depth separate capable singers from ones who truly connect with the material. It's the kind of song that grows on both performer and audience with every hearing.

What to expect

Longing, vulnerability, and the ache of affection expressed across distance. The music carries you through a private moment of confession, where the speaker is gathering courage to reveal what they have been holding back. Every phrase feels like it matters intensely.

Who it's for

Voice students preparing audition material, particularly those comfortable with music theater repertoire and seeking something with both technical substance and emotional authenticity. This works equally well for soloists in recital settings and for singers developing a mixed repertoire that includes contemporary musical theater.

How to get the most out of it

  • Treat the opening phrases as intimate dialogue with the listener; pull back the dynamic and let the piano's arpeggios frame the vocal line rather than compete with it.
  • Mark your breath points before the rehearsal process begins. The longer phrases require strategic breathing that maintains the emotional continuity without gasping audibly.
  • Balance legit classical technique with the conversational quality of the text. This is singing speech, not operatic declaration.
  • Allow the piano part to establish the harmonic and emotional foundation. Your job is to sit on top of that support and deliver the storytelling.

How to use it

Open a concert with this piece to establish an intimate atmosphere immediately, or place it at the center of a program exploring love and loss across genres. It pairs naturally with other Andrew Lloyd Webber selections or with contemporary art songs that explore similar emotional territory.

Skills your students will build

  • Sustaining long vocal lines over harmonic changes
  • Dynamic control across a two-octave range
  • Text-driven phrasing in contemporary music theater style
  • Collaborative listening with piano accompaniment
  • Emotional specificity in a through-composed form

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