Think (from Captain Underpants: The First Epic Movie) (Arr. Mark Brymer) Sheet Music Preview

Think (from Captain Underpants: The First Epic Movie) (Arr. Mark Brymer): SSA Choral Octavo

As performed by Adam Lambert / As performed by Aretha Franklin / Arranged by Mark Brymer

Item: 35-DS00421839

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00421839

More about this title

About the Artist: Adam Lambert

Adam Lambert is a vocalist, songwriter, and performer known for his work as the lead singer of Queen and his solo career spanning multiple genres from pop to rock to theatrical music. His technical facility and emotional expressiveness across genres make him a natural fit for contemporary choral arrangements, particularly those drawing from soul and pop traditions.

Why we love this

Mark Brymer's arrangement captures the earnest vulnerability of this song while giving SSA choirs real musical substance to sink their teeth into. The writing sits in a comfortable range for developing singers, yet the jazz harmonies and soul phrasing demand genuine musicality and control.

What to expect

Warm and introspective, this arrangement invites singers into intimate reflection while maintaining an underlying groove that keeps energy alive. The three-part writing creates rich harmonic color that feels both modern and accessible, balancing the pop sensibility of the original with genuine choral depth.

Who it's for

This arrangement works beautifully for SSA choirs seeking contemporary material that offers real musicianship challenges without overwhelming developing singers. It's especially valuable for groups wanting to explore jazz harmony and soul idioms in a supportive, well-crafted setting.

How to get the most out of it

  • Shape the melodic lines with legit phrasing borrowed from soul and R&B conventions; resist the urge to make it too choir-like or overly formal
  • Balance the three voices carefully in the harmonic sections so each line sings through without one part drowning out the melody
  • Let the accompaniment breathing room inform where your singers breathe; this arrangement respects the instrumental parts as conversation partners, not background

How to use it

This pairs naturally on a concert of contemporary film music or as a standalone moment between heavier classical works, giving audiences a familiar touchstone while showcasing your choir's versatility. It's also an excellent choice for pops concerts, multicultural programming, or any concert designed to appeal to younger audiences and families.

Skills your students will build

  • Jazz harmony voicing and voice leading
  • Soul and R&B phrasing conventions
  • Balancing three independent lines in close harmony
  • Performing contemporary music with stylistic authenticity
  • Dynamic control and sustained legato singing

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