Things We Do For Love Sheet Music Preview

Things We Do For Love: Lead Sheet / Fake Book

As performed by 10Cc

Item: 35-DS00441630

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$3.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00441630

More about this title

About the Artist: 10Cc

10cc formed in the early 1970s as a studio-based project in Manchester, England, blending progressive rock instrumentation with pop sensibility and clever songwriting. The band's members (Kevin Godley, Lol Creme, Graham Gouldman, and Eric Stewart) brought classical training and experimental attitudes to their work, creating a catalog that proved they could write anything from art rock to infectious pop hits. Their approach to arrangement and production became a template for how modern pop could be both intellectually engaging and wildly accessible to audiences.

Why we love this

This lead sheet captures one of pop music's most ingenious melodies: a song that burrows into your head immediately while revealing layers of harmonic sophistication on repeated hearings. Pianists and vocalists get to experience firsthand why 10cc's songwriting earned them both chart success and lasting respect among musicians.

What to expect

Simultaneously upbeat and introspective, this tune captures the bittersweet logic of doing illogical things for love. The melody sits in a range that feels conversational and intimate, even when the arrangement opens up around it.

Who it's for

Piano and keyboard students exploring the intersection of pop songcraft and jazz harmony; vocalists building a contemporary repertoire that challenges them beyond standard pop fare; educators looking for material that engages serious musicians while remaining genuinely fun to perform.

How to get the most out of it

  • Lock in the syncopated rhythms of the melody early; they feel deceptively simple but require precision to sit properly in the groove.
  • Use the harmonic motion to shape phrase endings rather than hitting every chord change equally; let the voice lead.
  • Experiment with voicing options on keyboard to find what sits well with your vocalist's range and tone without cluttering the space.

How to use it

Place this in a jazz or contemporary music set where it can bridge between traditional standards and modern songwriting. It works equally well as a solo feature or paired with other 10cc pieces if you're building a themed program around 1970s studio artistry.

Skills your students will build

  • Interpreting lead sheet notation without a full score
  • Balancing melody and harmony in a pop context
  • Phrasing through syncopated rhythmic figures
  • Comping choices that support rather than overpower a vocalist

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