Things We Do For Love Sheet Music Preview

Things We Do For Love: TTB Choral Octavo

As performed by Graham Gouldman / As performed by 10Cc / As performed by Eric Stewart / Arranged by Greg Gilpin

Item: 35-DS00308944

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00308944

More about this title

About the Artist: Graham Gouldman

Graham Gouldman is a British keyboardist, vocalist, and songwriter who co-founded 10cc, one of the most inventive pop acts of the 1970s. His songwriting shaped the band's distinctive sound, blending art rock ambition with infectious pop sensibility. Gouldman's ability to craft memorable melodies with sophisticated arrangements made him a key architect of 10cc's commercial and critical success.

Why we love this

Greg Gilpin's arrangement captures the emotional sincerity at the heart of this 10cc classic while making it genuinely singable for developing ensembles. The accessible TTB/TTBB voicing options mean you can pull this into a concert without needing perfect voice distribution, and the melody sits naturally enough that your singers will connect with the song's earnest message rather than wrestle with the arrangement.

What to expect

Warm, reflective, and genuine. The arrangement preserves the tenderness of the original while giving choral voices room to bloom. There's an intimacy here that feels more like a group of people sharing something personal than a polished pop performance.

Who it's for

Any choir confident with pop repertoire and looking for a song with real emotional weight. High school and community groups will find this especially rewarding because it gives singers a chance to interpret meaningful lyrics rather than just execute technical displays.

How to get the most out of it

  • Let the lyrical content guide your phrasing. This song means something, and singers who understand they're expressing genuine emotion will bring that authenticity to every phrase.
  • Balance the parts so the melody stays prominent without drowning out the harmonic support. Gouldman's chord structures are too good to bury.
  • Take time with the softer moments. Restraint here makes the fuller sections land with impact.

How to use it

This works beautifully as a spring concert closer or as part of a program exploring sophisticated pop songwriting. Pair it with other thoughtful contemporary pieces to show your audience that modern music has substance, or use it as a palate cleanser between larger choral works to remind listeners why melody matters.

Skills your students will build

  • Sustaining pure vowels across sustained notes
  • Singing pop idioms with appropriate articulation and phrasing
  • Balancing blend in close harmonies
  • Interpreting emotional subtext through text and music

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