These Two Sheet Music Preview

These Two: Piano Vocal

As performed by Georgia Stitt / As performed by Keith Byron Kirk

Item: 35-DS00166232

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00166232

More about this title

About the Artist: Georgia Stitt

Georgia Stitt is a composer and lyricist whose work spans Broadway, film, and concert music. Her songs have been performed at major venues and festivals, and she brings a distinctive gift for crafting character-driven melodies with intelligent, emotionally resonant lyrics that serve the story and the singer.

Stitt's collaborative approach to songwriting emphasizes clarity of expression and singability, qualities that make her work particularly valuable for teaching purposes. She understands how a song can illuminate a character's inner life while remaining accessible to performers at various skill levels.

Why we love this

This song captures the conversational intimacy of contemporary musical theatre writing without demanding a large ensemble. The piano/vocal arrangement gives you flexibility for your spring concert or cabaret setting, and Stitt's lyrical clarity means your soloists will have a clear emotional objective to pursue rather than just hitting the notes.

What to expect

Modern, conversational, and emotionally direct. The title suggests a relationship study or moment of connection; the music likely captures that specificity of feeling without sentimentality, letting the words and melody do the expressive work.

Who it's for

Solo singers preparing audition or recital material, vocal students seeking contemporary music with strong character work, and programmes looking for accessible Broadway/pop-influenced selections for concert performances.

How to get the most out of it

  • Listen closely to where the vocal line sits relative to the accompaniment rhythmically; the piano arrangement likely propels the song forward, so your singer should coordinate phrasing with those harmonic pushes rather than fighting against them.
  • Shape the dynamics across the complete arc rather than treating each phrase in isolation. Notice where the song builds emotional intensity and where it pulls back; your interpretation should reflect that larger architecture.
  • Coordinate with your pianist on the balance between accompaniment and voice. These songs often work best when the piano is present enough to anchor the harmony but never overpowers the lyrical content.

How to use it

Pair this with other contemporary musical theatre selections for a modern song cycle on your spring concert, or feature it as a standalone moment in a cabaret-style recital where it can breathe and be heard clearly. It also works well as a teaching piece for students learning how to prioritize text clarity and emotional intent in contemporary pop/theatrical writing.

Skills your students will build

  • phrasing in contemporary musical theatre style
  • lyrical clarity and text projection
  • navigating rhythmic independence between voice and piano
  • building character intent within a song arc

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