There Will Come Soft Rains: Choral Instrumental Pak
By Patrick Vu / By Sara Teasdale
Item: 35-PK01888125
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Why we love this
Vu's setting captures the quiet devastation in Teasdale's words without resorting to sentimentality. The harmonic language feels contemporary yet deeply expressive, and the optional solo line gives you flexibility in how you shape the piece depending on your ensemble's strengths.
What to expect
The piece unfolds with quiet dignity, painting Teasdale's vision of nature continuing its cycles indifferent to human sorrow. Rich harmonic movement creates moments of unexpected beauty layered beneath a contemplative surface, inviting listeners into intimate reflection.
Who it's for
Advanced high school treble choirs with solid sight-reading skills and harmonic awareness will find this accessible yet rewarding. University and community ensembles looking for concert repertoire with literary depth and contemporary compositional language are the ideal fit.
How to get the most out of it
- Balance the piano accompaniment carefully during rehearsals. Because it stands on its own musically, it's easy for it to overshadow the choir if the dynamics aren't clearly established from the start.
- Encourage your soloists (and full choir) to find the natural speech rhythms within the harmonic progressions rather than sing through phrase markings mechanically.
- Prepare your singers for the harmonic language by working through sections voicewise first, then layering the parts together once each section owns their line.
How to use it
Feature this work on a concert exploring poetry in music, or pair it with other settings of Teasdale's texts for a thematic program. The piece works equally well as a concert opener that establishes a thoughtful mood or as part of a set exploring art song traditions expanded into choral writing.
Skills your students will build
- Reading and executing complex harmonic progressions
- Balancing ensemble voices when working with rich chromatic language
- Understanding the relationship between text and compositional choice
- Ensemble coordination with an independent piano part
- Flexibility with optional solo lines within a choral texture