There's No Tune Like A Show Tune (arr. Mark Hayes): 2-Part Choral Octavo
There's No Tune Like A Show Tune (arr. Mark Hayes) Sheet Music Preview

There's No Tune Like A Show Tune (arr. Mark Hayes): 2-Part Choral Octavo

Arranged by Mark Hayes

Item: 35-DS00430955
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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00430955

More about this title

About the Arranger: Mark Hayes

Mark Hayes

Mark Hayes has established himself as one of the most prolific voices in American choral and piano music, with over 1,750 published works across sacred and secular genres. His credentials span conducting engagements at Lincoln Center, the National Cathedral, and Carnegie Hall, while his Requiem received its world premiere at Lincoln Center in 2013 and was subsequently performed at the Vatican as part of an international festival. Hayes earned his Bachelor of Music degree summa cum laude in Piano Performance from Baylor University and received the 2010 Award for Exemplary Leadership in Christian Music from his alma mater.

Beyond concert works and choral compositions, Hayes has demonstrated mastery of musical theater, orchestrating the hit musical Madame Buttermilk and arranging music for theatrical productions. His deep engagement with Broadway idioms and popular song forms shines through in his accessible yet sophisticated arrangements, making his work valuable for directors seeking repertoire that entertains audiences while respecting singers' musicianship.

Why we love this

Hayes brings theatrical flair and genuine wit to this collection without sacrificing vocal writing that actually sits well in young voices. The arrangement taps into the energy and charm audiences expect from Broadway while keeping the technical demands reasonable, so singers stay engaged with the material rather than struggling through it.

What to expect

A celebration of American musical theater that crackles with the energy of the stage. The arrangements honor the wit and sophistication of the songs themselves while opening them up to ensemble performance, creating moments that are both entertaining and musically satisfying.

Who it's for

Choirs at the middle school through early high school level who are ready to tackle Broadway repertoire with style and maturity. This works equally well for community choirs and youth ensembles looking to program something that delights both singers and audiences.

How to get the most out of it

  • Lean into the character and personality of each song; Hayes's arrangements thrive on theatrical commitment, so encourage singers to find the humor and heart in the text.
  • Balance ensemble blend against the need for individual voices to project in a concert hall; the two-part texture means that intonation and blending will be immediately audible.
  • Use any available recorded accompaniment to establish the Broadway idioms and style conventions embedded in each arrangement, especially if your singers have limited exposure to these musical languages.

How to use it

Feature this as a standalone pops concert or weave it into a mixed program as an act break that shifts the mood and brings the house to life. The collection's variety also makes it ideal for selections throughout the season, giving you the flexibility to pull individual arrangements based on rehearsal progress and concert programming needs.

Skills your students will build

  • Singing legit and mixed Broadway vocal styles appropriate to different song genres
  • Maintaining character and expression while managing two-part harmonic complexity
  • Understanding and executing rhythmic patterns common to American musical theater
  • Blending ensemble sound while preserving individual vocal clarity in close harmonies

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