There Once Was a Man Cover Image

There Once Was a Man: Choral SoundPax

$45.00 USD
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There Once Was a Man Cover Image

There Once Was a Man: Choral SoundPax

From the Musical The Pajama Game

Words and music by Richard Adler and Jerry Ross / arr. Andy Beck

Item: 00-27208

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Description
It's a Broadway-style hoe-down when you sing this raucous arrangement from Adler and Ross' hit musical The Pajama Game. The men and women of your choir will enjoy this battle of the sexes in an attempt to prove who loves the other more by citing famous literary characters, clapping hands, stomping feet, and singing their hearts out. Perform with the optional SoundPax or SoundTrax CD.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 38
UPC: 038081294681
SKU: 00-27208
Instrumentation: SoundPax

More about this title

About the Composer: Richard Adler

Richard Adler composed some of Broadway's most enduring musical theater scores during the golden age of American musical comedy. His collaborations with Jerry Ross produced two major hits: The Pajama Game (1954) and Damn Yankees (1955), both of which earned Tony Award nominations and proved that clever songwriting could serve both the stage and the popular music market.

Why we love this

This arrangement captures the playful competitive spirit of the original Broadway number while giving choral singers genuine fun to perform. Beck's orchestration keeps the energy high and the comedic timing sharp, and the optional accompaniment means you can perform it with full sound support even if your instrumental resources are limited.

What to expect

A staged argument set to music, complete with literary one-upmanship and physical fun. The arrangement swings between intimate moments and full-ensemble chaos, mixing Broadway polish with folk-hoe-down character to create something both sophisticated and wildly entertaining.

Who it's for

Mixed choirs that thrive on theatrical energy and aren't afraid of comedy. This works well for ensembles with strong men's voices who can hold their own in the gender-battle premise, and singers who enjoy character-driven, narrative-based music.

How to get the most out of it

  • Emphasize the call-and-response exchanges between sections; these moments drive the comedic narrative and require crisp, confident singing from your men and women.
  • Shape the rhythmic elements (hand claps and foot stomps) as musical events, not just percussion texture. They deserve clarity and precision alongside the vocal line.
  • Balance humor with vocal control. The raucous energy shouldn't come at the expense of diction or phrase shape; crisp articulation actually enhances the comedy.
  • Use the recorded accompaniment to lock the ensemble into the Broadway style and tempo, especially during the rhythmic passages that anchor the piece.

How to use it

Program this as a concert highlight that appeals to audiences beyond traditional choral enthusiasts. It pairs well with other Broadway or contemporary pop arrangements, and works equally well as an energetic opening number or a show-stopping finale that leaves audiences smiling.

Skills your students will build

  • Singing with clear diction at fast tempos
  • Coordinating rhythmic spoken/clapped elements with vocal lines
  • Gender-specific voice part independence and blend
  • Comedic timing and theatrical character expression
  • Stylistic awareness of Broadway and contemporary pop idioms

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