There'll Be Some Changes Made Sheet Music Preview

There'll Be Some Changes Made: SATB Choral Octavo

Arranged by Kirby Shaw

Item: 35-DS00341173

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00341173

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw's influence on choral music education spans across North America, Europe, and beyond. With formal training in choral composition and conducting from San Jose State University and the University of Washington, Shaw has built a career directing groundbreaking vocal jazz ensembles at institutions including Colorado State University and the University of Missouri at Kansas City. His teaching style balances technical rigor with infectious enthusiasm, shaped by direct mentorship from legendary vocalists including Bobby McFerrin, Al Jarreau, and Jon Hendricks.

Shaw's creative output includes over 2500 published choral arrangements alongside original compositions that have sold nearly 20 million copies worldwide. He has produced hundreds of educational recordings, founded the acclaimed COS Vocal Jazz Ensemble, and earned multiple ASCAP awards for his prolific work. Currently directing the Jefferson State Choral Coalition at Southern Oregon University, Shaw continues to shape choral music education while collaborating on theatrical projects with his wife, Markita.

Why we love this

Shaw understands how to write jazz standards for singers who are still building their improvisational confidence. This arrangement balances accessibility with authentic jazz voicing, giving your choir the feel of a real ensemble without requiring advanced scat skills. The text sits naturally, the harmonies swing, and your students will sound remarkably polished in rehearsal.

What to expect

Sophisticated and breezy. The harmonies shimmer with jazz color while the melody bounces with the ease of a standard that has survived nearly a century because it simply works. Performing this piece feels like joining a real jazz vocal tradition rather than learning a distant classical form.

Who it's for

Choirs with solid sight-reading skills and a comfort with swing style. This works equally well for after-school jazz choirs, musically adventurous concert groups, or pop-focused vocal ensembles looking to expand into jazz repertoire.

How to get the most out of it

  • Let the rhythmic drive come from your section leaders first. Once the altos and tenors nail their syncopated lines, the sopranos and basses lock in more easily.
  • Record a rehearsal run-through and play it back. Hearing themselves groove together builds confidence faster than verbal corrections alone.
  • Shape the phrasing around conversational speech rather than classical legit singing. This tune thrives when it sounds relaxed and personal.
  • Check voicing balance during a full ensemble passage. Jazz harmony reveals balance issues that classical SATB can mask.

How to use it

Pair this with other Kirby Shaw jazz arrangements for a set that showcases your choir's range without requiring a full big band. It also serves as an excellent bridge piece if you are transitioning a classical-focused ensemble into contemporary styles.

Skills your students will build

  • Jazz harmony recognition and voice leading across extended chords
  • Swing articulation and rhythmic precision in syncopated passages
  • Blend and balance in modern jazz voicings
  • Phrasing and interpretation for popular standards
  • Ensemble listening and sectional independence

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