There Is Sweet Music Here Cover Image

There Is Sweet Music Here: SSA Choral Octavo

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There Is Sweet Music Here Cover Image

There Is Sweet Music Here: SSA Choral Octavo

Words by Alfred Lord Tennyson, music by John Clements

Item: 00-60383

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Description

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, There Is Sweet Music Here: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Belwin Mills Catalog
Publisher: Alfred Music
Page Count: 8
UPC: 029156270051
SKU: 00-60383

More about this title

Why we love this

The pairing of SSA voicing with literary text creates a natural fit for treble choirs seeking repertoire that feels substantial without demanding extensive range. Clements builds real harmonic interest across eight pages, giving singers material worth rehearsing deeply rather than surface-level sight-reading.

What to expect

Lyrical and contemplative, with the kind of warmth that comes from well-crafted harmony in a restricted vocal range. The piece invites singers to linger on words and phrases, creating an intimate quality even in ensemble sound.

Who it's for

Intermediate to advanced treble choirs with solid musicianship and expressive maturity. Directors seeking a secular octavo that treats literary language with respect will find this a strong addition to festival or concert programming.

How to get the most out of it

  • Balance the literary text as carefully as the melody. These words deserve clear diction and phrasing that honors their poetic weight rather than treating them as syllables to sing.
  • Use the full eight pages to shape a long musical line. Avoid breaking the piece into isolated sections; think of it as one sustained arc from opening to final cadence.
  • Explore the harmonic color beneath the top line. SSA voicing often casts a particular light on chords, and drawing attention to inner voice movement can deepen the singers' understanding of the overall sound.
  • Mark breathing points collaboratively with your singers so phrasing feels organic rather than metrically imposed.

How to use it

This works well alongside other poetic secular repertoire in a concert devoted to text and music pairing, or as a standalone feature in a treble choir showcase. Its moderate length makes it suitable for festivals where you need a complete, satisfying piece without excessive rehearsal load.

Skills your students will build

  • Interpreting poetic text through musical phrasing
  • Reading and balancing SSA/SSAA voicing with harmonic depth
  • Sustaining long melodic lines across multiple phrases
  • Collaborative music-making in restricted ranges

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