There Is Sweet Music Sheet Music Preview

There Is Sweet Music: SSAA, a cappella Choral Octavo

By Daniel E. Gawthrop

Level: Moderate

Item: 00-PO-0003054

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$1.65

Minimum order quantity: 20 copies

Description

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Additional Details
Series: Alfred Archive Edition: Schmitt, Hall & McCreary Catalog
Publisher: Alfred Music
Page Count: 4
SKU: 00-PO-0003054

More about this title

About the Composer: Daniel E. Gawthrop

Daniel E. Gawthrop is a prolific composer and arranger whose work spans choral, instrumental, and vocal music for educational settings. His compositions are known for their accessibility without sacrificing musical substance, making them reliable choices for directors seeking repertoire that engages singers while remaining practical to rehearse and perform.

Why we love this

Gawthrop crafts an a cappella setting that sits comfortably for treble choirs without sacrificing musical substance. The moderate difficulty level allows singers to focus on blend and intonation rather than wrestling with technical demands, making it ideal for building ensemble cohesion at the high school level.

What to expect

The piece evokes a lyrical, contemplative quality befitting its subject of sweet music. The a cappella texture creates intimacy and presence, drawing the listener into the singers' voices without instrumental mediation.

Who it's for

High school treble choirs and community groups seeking accessible yet musically rewarding a cappella repertoire. This works well for singers with developing musicianship who benefit from straightforward voicing without technical complexity.

How to get the most out of it

  • Balance the voices carefully during sustained passages; treble choirs tend to favor soprano weight, so deliberate attention to alto projection prevents the piece from floating too high.
  • Shape the phrase contours with gentle dynamic swells rather than abrupt changes, since a cappella settings expose every shift in volume.
  • Use the text to guide phrasing; let the poetic language suggest natural breathing points and musical punctuation.

How to use it

Program this as an interlude between more energetic selections to provide musical and emotional variety. Its moderate length and difficulty make it suitable for festival competitions or spring concert segments where you want to showcase refined ensemble singing.

Skills your students will build

  • A cappella intonation and blend in treble voicing
  • Sustaining phrase lines without instrumental support
  • Dynamic control and balance across SSAA voicing

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