There Is Power In The Name Of Jesus Sheet Music Preview

There Is Power In The Name Of Jesus: SATB Choral Octavo

Arranged by Regi Stone

Item: 35-DS00314320

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00314320

More about this title

Why we love this

Stone's arrangement captures the declarative strength of this hymn without losing its intimate spiritual character. The SATB voicing sits comfortably across all ranges, allowing singers to invest in the text rather than wrestle with extreme tessitura. It's straightforward enough to teach quickly but contains enough harmonic interest to reward careful listening.

What to expect

Affirmative and grounded. The arrangement embraces the declarative nature of the text while maintaining warm, open harmonies that invite singers into genuine expression rather than flashy display. There's quiet conviction here, the kind that settles into a room.

Who it's for

Choirs seeking accessible yet substantive sacred music for church services, community concerts, or interfaith events. This works equally well for high school choirs building confidence with meaningful repertoire and adult volunteer ensembles looking for music that deepens spiritual connection.

How to get the most out of it

  • Pay attention to text clarity across all four parts. The power of this hymn lives in its message, so ensure diction remains crisp even when voices interweave.
  • Shape the harmonic progressions with subtle dynamic shaping. A slight swell through each phrase keeps the arrangement from feeling static.
  • Let the sopranos breathe slightly before their highest passages to prevent tension that colors the tone.

How to use it

Pair this with other spirituals or hymn arrangements to create a thematic set exploring faith and resilience. It works as an opening or closing piece for services, and its ten pages fit neatly into longer concert programs without demanding extended rehearsal time.

Skills your students will build

  • Maintaining phrase integrity across SATB texture
  • Balancing blend while protecting diction
  • Interpreting harmonic movement with dynamic shape
  • Connecting text to musical gesture

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