There Is More Love Somewhere (arr. Robert I. Hugh): SAB Choral Octavo

There's a gentle insistence running through this arrangement, a quiet certainty in the text that builds without becoming heavy. The SAB texture creates intimacy while maintaining the spiritual's inherent warmth and resilience.

Choirs seeking an accessible three-part arrangement of a beloved spiritual will find this approachable for singers with varied reading levels. This works well for community choirs, church ensembles, and school groups building confidence in part singing.

• Balance the harmonic layers carefully in the opening; the alto and bass parts establish foundation while sopranos find the melody's center.
• Let the text breathe. This spiritual carries weight, so resist rushing through phrases even when the tempo feels buoyant.
• Consider your accompaniment volume in relation to the vocal texture. The arrangement likely works best when singers feel supported but not buried.

Pair this with other spirituals for a concert devoted to the genre, or use it as a standalone piece for spring or community concerts where uplift matters. The moderate length fits well into a program's emotional arc without consuming rehearsal resources needed for larger works.

• Singing sustained harmonic layers in three-part texture
• Phrasing across longer vocal lines while maintaining line integrity
• Finding balance between independent vocal parts and collective blend
• Interpreting spiritual tradition with authenticity and sensitivity