There Is A Place (arr. David Angerman) Sheet Music Preview

There Is A Place (arr. David Angerman): SATB Choral Octavo

Arranged by David Angerman

Item: 35-DS00434219

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS00434219

More about this title

About the Arranger: David Angerman

David Angerman

David Angerman brings deep expertise in sacred music to his work as editor of the Organ and Handbell Music Division at Shawnee Press. His training spans multiple disciplines: he earned degrees in church music from Baylor University (B.M.E. and M.M.) and studied organ performance at the University of Texas (M.M.), giving him command of both choral and instrumental sacred traditions.

As Minister of Music at Bethany Lutheran Church in Austin, Angerman applies his scholarly knowledge in active ministry. His professional involvement with TCDA, AGEHR, AGO, Choristers Guild, and the Association of Lutheran Worship Leaders reflects his commitment to advancing sacred music education and practice across denominations.

Why we love this

Angerman's sacred music credentials shine through in an arrangement that respects the emotional core of the original while giving singers real work to do. This piece lands in the practical middle ground where SATB choirs can achieve genuine musical impact without navigating technical obstacles that overshadow the text.

What to expect

The arrangement opens a quiet space for reflection and earnest devotion. Voices blend into transparent harmonies that feel both grounded and gently uplifting, creating an atmosphere where the spiritual message lands without sentimentality.

Who it's for

SATB choirs seeking accessible sacred material that works for both worship contexts and concert programming. This arrangement suits developing choirs with solid fundamentals and no special technical demands, making it a reliable choice for regular rotation or seasonal programming.

How to get the most out of it

  • Balance the four voices so the melody line reads clearly without drowning out the inner harmonic support that gives the piece its warmth.
  • Let the text shape your phrasing rather than forcing phrase breaks at bar lines. The arrangement creates natural breathing points that will feel organic when you honor them.
  • Mark dynamic shifts early in rehearsal and reinforce them consistently. Sacred repertoire often gains its power from subtle changes in intensity rather than dramatic gestures.

How to use it

Pair this with other contemplative pieces in a concert devoted to spiritual comfort and assurance, or weave it into a worship service as an anthem that complements the sermon theme. Its six pages make it manageable for choirs juggling multiple commitments, and the straightforward voicing means you can introduce it mid-season without derailing rehearsal momentum.

Skills your students will build

  • Blending mixed voices while maintaining line clarity
  • Sustaining legit tone quality in sacred contexts
  • Responding to textual inflection and emotional nuance
  • Balancing independence within SATB texture

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