There Is A Fountain (arr. Lowell Mason): E-Z Play Today

Mason's arrangement honors the hymn's reverent character while keeping the keyboard part manageable for pianists of modest ability. The writing sits comfortably under the hands and resists the urge to overcomplicate a text that gains power from clarity and directness.

The music carries the quiet confidence of faith expressed simply and sincerely. Warm harmonic progressions and uncomplicated texture create space for the text to resonate without needless embellishment.

This arrangement suits pianists and singer-pianists seeking accessible sacred repertoire for services, recitals, or devotional use. It works equally well as a teaching piece for intermediate students building skill with hymn accompaniment.

• Shape the melody with gentle dynamic contours rather than playing it uniformly. The text itself suggests where breath and emphasis naturally fall.
• Keep the left hand accompaniment steady and unrushed. A solid harmonic foundation lets the melody breathe without dragging.
• Balance the voice and piano so the words remain audible. The accompaniment should support, not dominate.

Program this during an Easter service or as a prelude to a sacred music recital. Its brevity and emotional clarity also make it an excellent choice for a student recital closing or as a teaching model for how to arrange a hymn idiomatically.

• Voice leading in four-part harmonic structures
• Accompaniment balance and texture awareness
• Interpretation of sacred music with appropriate restraint
• Pedaling for clarity in hymn-style writing