There Are Worse Things I Could Do (from Grease): E-Z Play Today

There's a confident swagger to the opening that gradually reveals cracks of uncertainty beneath. The melody sits in a comfortable vocal range and moves with conversational ease, letting the emotional subtext do the heavy lifting rather than technical flash.

This arrangement suits pianists who want to explore a character-driven song without intermediate-to-advanced technical demands. Whether you're accompanying a vocalist at an audition, adding a theater standard to your solo repertoire, or building familiarity with Broadway vocal lines, this edition makes the song within reach.

• Lean into the rhythmic pocket of the accompaniment; this song breathes in the spaces between phrases as much as in the melody itself.
• Balance the defiant attitude of the opening sections with genuine softness when the song turns introspective. The contrast is what sells the character.
• Pay attention to the lyrical phrasing rather than purely melodic shape. Where does the character pause? Where does she push? Let that guide your rubato.

Include this in a theater or popular music showcase to represent a single female character moment from a beloved musical. It pairs well with other Grease selections in a thematic program, or stands alone as an excellent audition piece that demonstrates both attitude and emotional intelligence.

• Managing dynamic contrast within a single phrase
• Accompanying a vocalist with sensitivity to lyrical inflection
• Understanding character through musical choices
• Navigating the relationship between rhythmic pocket and rubato