There Are Worse Things I Could Do (from Grease) Sheet Music Preview

There Are Worse Things I Could Do (from Grease): Lead Sheet / Fake Book

As performed by Stockard Channing

Item: 35-DS00444074

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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS00444074

More about this title

About the Artist: Stockard Channing

Stockard Channing originated the role of Rizzo in the 1978 film adaptation of Grease, delivering one of the musical's most memorable performances. Her portrayal of the Pink Lady with a conscience brought depth and vulnerability to a character who could have been one-dimensional, and her vocal performance on "There Are Worse Things I Could Do" became iconic. Channing's work in the film helped establish the character as a pivotal moment in the story, where tough exterior meets genuine emotion.

Why we love this

This lead sheet captures one of Broadway's most poignant character moments, giving singers access to a song that demands both vocal control and emotional maturity. The melody sits comfortably for a range of voices when transposed thoughtfully, and the harmonic language is sophisticated enough to keep pianists engaged without overwhelming younger accompanists. It's a piece that teaches restraint, letting the lyric carry the weight rather than relying on theatrical excess.

What to expect

Defiant and conflicted at once. The song begins with swagger, a character asserting her identity and choices, but gradually peels back layers to reveal someone capable of real feeling beneath the armor. By the end, the bravado has given way to something achingly honest.

Who it's for

Singers exploring character songs that require emotional intelligence, and pianists looking to expand their Broadway accompaniment skills with material that rewards subtle playing. This works for high school and college vocalists, as well as adult singers preparing auditions or recital repertoire.

How to get the most out of it

  • Shape the melody with long phrase lines rather than punctuating every lyric; this song lives in the vulnerability between the notes, not in articulation.
  • Resist the urge to rush. The emotional impact depends on space and breath, especially in the second half where the character's truth emerges.
  • Balance the piano accompaniment so it supports without drowning the vocal line; this is a confessional moment, not a showcase.

How to use it

Include this in a recital exploring character songs from musical theater, pairing it with pieces that explore identity and self-acceptance. It also works as a solo feature in a Grease-themed concert or as part of a program examining how film adaptations shaped Broadway's legacy.

Skills your students will build

  • Controlling emotional color shifts within a single song
  • Interpreting lyrical subtext and character motivation
  • Managing dynamic range without losing vocal integrity
  • Sight-reading chord changes in a lead sheet format
  • Accompanying a vocalist with musical sensitivity and flexibility

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