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Theory for Busy Teens, Book 1: Piano Book

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Theory for Busy Teens, Book 1 Cover Image

Theory for Busy Teens, Book 1: Piano Book

8 Units with Short Written Exercises to Maximize Limited Study Time

By Melody Bober, Gayle Kowalchyk, and E. L. Lancaster

Level: Early Intermediate / Intermediate

Item: 00-37744

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Description
This course is designed for teens who want to further develop their skills in music theory but have limited time to study it. It includes eight units devoted to the following subject areas--rhythm, intervals, natural minor scales, minor key signatures, musical terms and symbols, augmented triads, naming triads and inversions, and i-iv-V7-i chord progressions in minor keys. Each unit contains a succinct introduction to the subject matter, short drills for five days of the week and extra credit examples with further challenges.

"While the books are geared toward the piano player, any instrumentalist can get a great deal of worth out of these books. This is especially true for vocalists looking to increase their ability to sight-sing and understand transpositions and piano accompaniment."
- MusicGearReview

"This is actually quite remarkable for spending 10 weeks per book at five minutes a day!"
Jean Ritter, Progressions

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Additional Details
Series: Piano for Busy Teens
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-8240-X
ISBN13: 978-0-7390-8240-9
UPC: 038081422817
SKU: 00-37744

More about this title

About the Author: Melody Bober

Melody Bober

Melody Bober holds degrees in music education from the University of Illinois at Champaign-Urbana and in piano performance from Minnesota State University, Moorhead. Her teaching career spans two decades in public schools, university instruction, church music direction, and private piano studio work, supplemented by her ongoing work as an accompanist and clinician at conventions and workshops throughout North America.

Bober's approach to composition centers on writing pieces that deepen students' musical understanding while sustaining their engagement. Her instruction from pianists Joel Shapiro and Andrew Froelich, music educator Mary Hoffman, and jazz musician Tony Caramia shaped her pedagogical philosophy and artistic voice. She lives in Minnesota.

Why we love this

This book respects the reality of teenage life. Five minutes a day is achievable, which means students actually complete the work rather than abandoning it. The curriculum covers essential theory concepts without overwhelming young musicians, and the progression from rhythm and intervals through chord progressions gives players concrete tools they can hear and play at the keyboard right away.

What to expect

Focused and practical. This book strips away unnecessary complexity and delivers exactly what you need to know, with daily reinforcement that builds confidence. Working through it feels like unlocking the mechanics behind the music you're already playing.

Who it's for

Teenagers balancing piano lessons with busy schedules who need theory instruction that doesn't demand hours of homework. Intermediate pianists preparing for music theory exams or looking to understand the harmonic language of the pieces they're learning. Instrumentalists and vocalists studying in other genres who want to deepen their foundation in core theory concepts without committing to a full music theory course.

How to get the most out of it

  • Complete the five-day drills in order rather than skipping ahead. The scaffolding is intentional, and each day builds on previous concepts.
  • Use the extra credit examples as benchmarks for readiness. If a student masters these, they're prepared to move forward; if not, they need another cycle through the regular drills.
  • Apply each concept to pieces from the student's current repertoire. When they understand a i-iv-V7-i progression in theory, have them find and label that progression in a piece they're learning.
  • Pair this book with ear training at the piano. Playing the intervals and triads audibly alongside writing about them strengthens both recognition and retention.

How to use it

Assign this as independent study material for intermediate piano students during their lessons. The brief daily commitment integrates cleanly into studio schedules without displacing repertoire or technique work. Teachers can also use it as a supplementary text in group piano classes or band programs where students need theory foundations without accessing a full academic course.

Skills your students will build

  • Reading and notating rhythm patterns across simple and compound meters
  • Identifying and constructing intervals from unison through octaves
  • Writing natural minor scales and recognizing their key signatures
  • Building and naming triads in root position and inversions
  • Analyzing augmented triads and distinguishing them from major and minor chords
  • Hearing and playing i-iv-V7-i progressions in minor keys
  • Understanding musical terminology and performance symbols in context

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