Theme from Spider Man (arr. Mike Tomaro): Jazz Ensemble Conductor Score & Parts
By Bob Harris Paul Francis Webster / Arranged by Mike Tomaro
Grade: 4
Item: 35-PK00492051
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Description
Mike Tomaro takes this well-known theme from the 1960s and transforms it into a powerful swing chart for the entire ensemble. Saxes are featured at the start with interjections from the brass, followed by a flexible solo section for any player. The final tutti section starts out unison then blossoms to a dynamic finish.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00492051
More about this title
About the Composer: Bob Harris Paul Francis Webster
Bob Harris and Paul Francis Webster composed the original Spider Man theme for the 1960s television series, creating one of the most instantly recognizable pieces of pop culture music. Webster, a prolific songwriter with an Oscar on his shelf, brought melodic sophistication to the project, while Harris contributed to a theme that would define a generation's introduction to the web-slinging hero.
Their work endures because it walks the line between commercial accessibility and genuine musical craft. The theme's memorable hook and forward momentum have made it an ideal foundation for jazz reinterpretation, proving that strong melodic writing transcends its original medium.
Why we love this
Mike Tomaro's arrangement respects the iconic melody while infusing it with contemporary swing energy that your ensemble will find immediately engaging. The built-in flexibility of the solo section means players at different levels can contribute meaningfully, and the trajectory from intimate saxophone feature to full-voiced finale gives the piece real dramatic arc.
What to expect
Infectious and propulsive. The familiar theme lands with the swagger of a swing chart, all rhythmic snap and bright orchestration. The solo section invites real personality into the room, and the final swell feels earned, moving from intimate to celebratory without losing its jazz sensibility.
Who it's for
Grade 4 jazz ensembles with solid fundamentals and at least a few improvisers ready to step into the spotlight. Directors looking for material that energizes audiences while developing musicianship across the section.
How to get the most out of it
- Balance the initial saxophone section with care; the interjections from brass need to land decisively without overshadowing the sax line, so mark dynamic targets clearly during rehearsal.
- Treat the flexible solo section as a genuine opportunity for your soloists to develop their improvisational voice rather than simply reading changes. Encourage experimentation in sectionals.
- Shape the transition into the tutti section by allowing the unison passage to breathe slightly before the full ensemble texture blooms. This builds anticipation for the dynamic finish.
How to use it
Program this as a crowd pleaser in any concert where you want an immediate connection with the audience. It pairs well alongside other film music arrangements or sits comfortably between more challenging standards in a set, offering your ensemble a chance to showcase both their precision and their ability to swing.
Skills your students will build
- Articulation and phrasing in swing style
- Listening and responding to sectional cues within the ensemble
- Basic improvisation over changes
- Dynamic control and ensemble balance
- Reading lead sheet changes