Theme From Spider-Man (arr. Kirby Shaw) Sheet Music Preview

Theme From Spider-Man (arr. Kirby Shaw): 2-Part Choral Octavo

As performed by Michael Bublé / Arranged by Kirby Shaw

Item: 35-DS00261929

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00261929

More about this title

About the Artist: Michael Bublé

Michael Bublé is a Canadian jazz and pop vocalist whose smooth baritone and sophisticated interpretations have made him one of the most commercially successful recording artists of the 21st century. His approach to standards and contemporary material emphasizes phrasing, dynamic control, and emotional authenticity, qualities that translate effectively into choral settings and offer singers a model for musical maturity.

Why we love this

Kirby Shaw's arrangement captures the iconic melody in an accessible two-part texture without sacrificing the jazzy, sophisticated character that makes this theme instantly recognizable. The voicing works beautifully for mixed-age choirs and opens doors to teaching melodic independence while keeping the energy and fun that comes with a familiar film property.

What to expect

Cool, swinging, and sophisticated. The familiar Spider-Man theme takes on a lounge-jazz sophistication in this setting, with a relaxed groove that feels contemporary yet timeless.

Who it's for

Any choir looking to program a contemporary secular piece with film and popular music appeal. This works equally well for high school ensembles building jazz sensibility and community choirs seeking engaging, singable repertoire.

How to get the most out of it

  • Support the legit jazz phrasing by resisting the urge to attack notes squarely; let each phrase breathe with the kind of rubato you'd hear in Bublé's original recording.
  • Balance the two parts so that neither dominates; this arrangement rewards blend over individual projection.
  • Treat the harmonic rhythm with flexibility rather than mechanical precision; the swing feel depends on slight rhythmic give and take between the parts.

How to use it

Program this in a pops concert or end-of-year celebration where you want to shift energy toward something fun and accessible without abandoning musical substance. It also works as a strong choice for recruiting singers who aren't sure about traditional classical choral music.

Skills your students will build

  • Jazz phrasing and swing articulation
  • Two-part harmonic independence
  • Stylistic interpretation of popular music in choral contexts
  • Dynamic control and legit vocal production

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