Theme From "New York, New York" (from The Daily Ukulele) (arr. Jim Beloff) Sheet Music Preview

Theme From "New York, New York" (from The Daily Ukulele) (arr. Jim Beloff): Ukulele

As performed by Frank Sinatra / Arranged by Jim Beloff

Item: 35-DS01532596

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Theme From "New York, New York" (from The Daily Ukulele) (arr. Jim Beloff): Ukulele isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS01532596

More about this title

About the Artist: Frank Sinatra

Frank Sinatra defined American popular song across seven decades, leaving an indelible mark on jazz, swing, and the Great American Songbook. His phrasing revolutionized vocal interpretation; every note served the lyric, every breath shaped meaning. For music educators, Sinatra remains essential listening for understanding how phrasing and taste function as instruments unto themselves.

Sinatra's influence extends beyond his recordings into music pedagogy itself. His interpretations of standards like "New York, New York" demonstrate masterful control of dynamics, rubato, and emotional storytelling. Students studying his work learn that technical proficiency means nothing without purposeful musicality.

Why we love this

Jim Beloff's arrangement captures the brassy confidence of this Sinatra standard and translates it beautifully for ukulele without losing the song's swagger. The single-page format makes it immediately accessible to intermediate players who want to tackle iconic repertoire without wrestling through a thick songbook. This arrangement proves that ukulele can deliver genuine sophistication.

What to expect

Walking through Manhattan after dark: confident, urbane, slightly nostalgic. The melody sits naturally under the fingers while the harmony moves with subtle complexity, creating that Sinatra signature of effortless sophistication. There's a bittersweet undercurrent to the harmonic movement that prevents this from landing as mere nostalgia; instead, it feels genuinely alive.

Who it's for

Intermediate ukulele players ready to move beyond folk and pop-strumming patterns into jazz standards and more sophisticated harmonic language. Solo performers or directors building a ukulele recital program will find this an elegant, recognizable choice that elevates the instrument's repertoire.

How to get the most out of it

  • Lean into the rhythm: this tune demands a strong sense of swing eighth notes. The groove lives in your strumming hand.
  • Shape the melody with dynamic variation rather than speed changes. Let the highest notes breathe; pull back slightly on the supporting lines.
  • Reference a Sinatra recording before rehearsing. Your phrasing choices will land differently once you hear how he bends the time in the bridge.
  • Practice the chord changes cleanly at a slower tempo first. The harmony moves deliberately in this arrangement, and transitions matter as much as the vocal melody itself.

How to use it

Slot this into a jazz standards unit or a "Great American Songbook" concert theme. It pairs naturally with other accessible jazz repertoire and offers students a gateway into understanding how classical harmonic language functions within popular song. A solo ukulele recital number here gives audiences a moment of sophisticated entertainment without requiring ensemble coordination.

Skills your students will build

  • Jazz swing eighth-note feel and rhythmic articulation
  • Phrasing and dynamic shaping within a fixed harmonic structure
  • Chord changes across a 32-bar standard form (AABA)
  • Translating vocal interpretation to instrumental voice

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