Theme from "New York, New York": Choral Instrumental Pak
As performed by Frank Sinatra / As performed by Liza Minnelli / Arranged by Mac Huff
Item: 35-PK00310587
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Description
It's New York's signature song! Kander Ebb's homage to the bright lights and big city glitz of the Big Apple, the song was originally recorded by Liza Minnelli, and famously covered by Sinatra. A perfect closing number for pop and show choirs, you'll be reminded why New York is indeed "king of the hill, top of the heap!"
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00310587
More about this title
About the Artist: Frank Sinatra
Frank Sinatra's vocal artistry defined American popular song across seven decades. His phrasing, rhythmic flexibility, and intimate microphone technique set the standard for jazz and pop singing that remains the model for aspiring vocalists today.
Beyond his own legendary recordings, Sinatra's interpretations of standards became touchstones for music education. His version of "Theme from New York, New York" exemplifies how a vocalist can inhabit a song's character while maintaining technical precision, offering students a masterclass in style, diction, and emotional commitment.
Why we love this
Mac Huff's arrangement captures the swagger and sophistication of this iconic number while keeping it accessible for choral ensembles. The Choral Instrumental Pak format lets you feature soloists or full choir sections, adapting the arrangement to your singers' strengths and your concert's energy.
What to expect
Confident, bright, and propulsive. The melody exudes New York hustle and ambition, while the harmonic language keeps things sophisticated rather than campy. There's genuine warmth underneath the showstopper energy, which is why this song endures.
Who it's for
Pop and show choirs looking for a concert closer with immediate audience recognition and built-in charisma. This arrangement works equally well for programs that need a solo feature or a full-ensemble celebration.
How to get the most out of it
- Shape the phrasing around Sinatra's classic interpretation: lean into the legit swing on "king of the hill" and let the rhythm section breathe between phrases rather than locking everything metronomically tight.
- Balance the solo voice against the choir carefully in ensemble passages. The soloists need room to sell the lyrical content without the background drowning the story.
- Treat the rhythmic hits in the accompaniment as ensemble moments. Get your singers aligned with the band's groove so ensemble cutoffs land with precision and punch.
- Dial in the diction on those rapid-fire syllables in the verse. Clarity here makes the Big Apple attitude shine through without sounding rushed.
How to use it
Deploy this as your finale when you want the audience leaving with joy and momentum. It pairs naturally with other Kander and Ebb standards, or sits comfortably in a set that blends jazz and Broadway repertoire. The fame of the tune means the audience arrives primed to enjoy it.
Skills your students will build
- Jazz phrasing and rhythmic flexibility
- Balancing solo and ensemble textures
- Stylistic interpretation of American popular song standards
- Diction clarity in swing rhythms
- Dynamic contrast and storytelling through arrangement