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The Young Pianist's Library: Broadway Classics for Piano, Book 3A: Piano Book

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The Young Pianist's Library: Broadway Classics for Piano, Book 3A Cover Image

The Young Pianist's Library: Broadway Classics for Piano, Book 3A: Piano Book

Arranged by Denes Agay

Level: Late Elementary / Early Intermediate

Item: 00-DA0008

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The Blue Room * Dancing in the Dark * Embraceable You * I'll See You Again * I Love a Parade * Let the Rest of the World Go By * Mack the Knife (Moritat) * March of the Musketeers * Night and Day * Sometimes I'm Happy * Stouthearted Men * Toyland. Beginner level 1-2.

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Additional Details
Series: The Young Pianist's Library
Publisher: Alfred Music
Page Count: 28
ISBN10: 0-7692-5064-5
ISBN13: 978-0-7692-5064-9
UPC: 029156660135
SKU: 00-DA0008

More about this title

About the Arranger: Denes Agay

Denes Agay

Denes Agay began his musical life at age three in a small village outside Budapest, Hungary. He earned his doctorate in piano composition and performance from Liszt Ferenc Academy of Music in 1934, then conducted the Budapest Philharmonic in performances of his own symphonic works. When political upheaval forced him to leave Europe, he immigrated to New York in 1939 and became an American citizen.

After serving as a sergeant in World War II, where he brought music to hospitalized soldiers, Agay launched a prolific career as a teacher, composer, and publisher. He worked as conductor and arranger for NBC's "Guest Star" radio program and created dozens of piano collections and instructional texts. His "Young Pianist's Library" series remains widely used in studios and classrooms because it combines pedagogical clarity with engaging, recognizable repertoire.

Why we love this

Agay's Broadway selections arrive at the right difficulty level for students ready to play songs they've actually heard. The arrangements respect the melodies while keeping the hand positions and technical demands manageable for this level, making it easy to sustain student motivation without introducing unnecessary complications.

What to expect

These arrangements capture the elegance and charm of classic Broadway without the complexity. You'll hear jazz-inflected harmonies, gentle syncopation, and the storytelling quality that makes these songs memorable, all delivered in a way that lets young pianists feel like they're playing real music from the stage.

Who it's for

Late elementary and early intermediate pianists who thrive on recognizable melodies and want to play songs they know. These students benefit from repertoire that connects them to American songwriting traditions while building technical foundations in a context that feels rewarding and adult.

How to get the most out of it

  • Map out the accompaniment patterns early in practice. Many of these pieces use the same left-hand figures repeated throughout, so recognizing the pattern saves practice time and builds confidence.
  • Separate the hands and master the melody line first, then gradually add the accompaniment. These songs are melody-driven, so a solid right-hand foundation makes the final performance shine.
  • Pay attention to tempo markings and style indications in the score. Broadway standards have distinct characters, and playing "Night and Day" differently from "Toyland" shows musical maturity.
  • Use the pedal sparingly and deliberately. At this level, many students are still developing pedal control, so mark where it truly enhances the sound rather than blurring it.

How to use it

Select individual pieces for student recitals throughout the year, or teach several in sequence to show stylistic variety within early 20th-century American song. This book pairs well with other Agay collections at similar levels to create a cohesive curriculum that spans multiple genres.

Skills your students will build

  • Reading jazz harmonies and recognizing common chord progressions
  • Managing syncopated rhythms and swing-influenced phrasing
  • Coordinating independent hand patterns (simple melody with steady accompaniment)
  • Developing pedal awareness and judicious use
  • Building interpretive choices within a melodic framework

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