The Wrong Note Rag (from Wonderful Town) (arr. Ed Lojeski): SAB Choral Octavo

Lojeski's arrangement preserves the comedic punch and rhythmic drive of Bernstein's original while working beautifully within SAB voicing. This is the kind of showstopper that gives students genuine ownership of a recognizable Broadway moment, complete with the sass and wit that made the musical a classic.

Playful and propulsive. The rag rhythm bounces forward with infectious energy, and there's an undercurrent of theatrical sass throughout. It's the kind of piece that leaves audiences smiling.

Choirs seeking engaging Broadway repertoire that appeals to singers while sounding polished in performance. SAB voicing makes it accessible for mixed ensembles with developing musicianship, and the familiar source material sparks interest across age groups.

• Commit to the rhythmic precision. The humor lands when entrances are tight and the syncopation sits solidly in the pocket.
• Shape the dynamic arc intentionally; let dynamics do the storytelling since much of the piece's character comes from contrast rather than sustained crescendo.
• Find the humor in your interpretation. This piece rewards directors and singers who lean into the comedic spirit without overplaying it.

This works beautifully as a concert closer or opening number where you want to establish an upbeat, contemporary tone. It also pairs well with other Broadway selections if you're programming a musical theater theme or showcase.

• Rhythmic clarity in syncopated, ragtime-inflected figures
• Balancing independence within choral blend
• Expression and phrasing across shorter, punchy musical ideas
• Controlled dynamics at faster tempos