The World Is Waiting For The Sunrise (from The Daily Ukulele) (arr. Liz and Jim Beloff) Sheet Music Preview

The World Is Waiting For The Sunrise (from The Daily Ukulele) (arr. Liz and Jim Beloff): Ukulele

As performed by Ernest Seitz / As performed by Jim Beloff / As performed by Liz Beloff

Item: 35-DS00378294

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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS00378294

More about this title

About the Artist: Ernest Seitz

Ernest Seitz composed "The World Is Waiting for the Sunrise" in 1919, collaborating with lyricist Gene Lockhart on what would become one of the era's most enduring popular songs. The piece captures the optimistic spirit of the post-World War I years, blending accessible melody with harmonic sophistication that has kept it in the repertoire across generations and genres.

Seitz's gift for writing singable, memorable tunes made him a fixture in early 20th-century popular music. "The World Is Waiting for the Sunrise" stands as his most recognized work, recorded countless times and arranged for virtually every instrument imaginable, testament to the timeless appeal of his melodic sensibility.

Why we love this

The Beloffs' arrangement strips this standard down to its essential charm without sacrificing the warmth that made the original so beloved. On ukulele, the progression becomes instantly accessible for developing players while retaining enough harmonic interest to reward careful listening from an audience.

What to expect

Hopeful and unhurried, like watching sunrise over familiar terrain. The melody unfolds with the kind of inevitable grace that feels both simple and profound, inviting listeners into a moment of quiet optimism.

Who it's for

Intermediate ukulele players who want to expand beyond simple strummers into material with genuine harmonic substance. Ensembles building a standards-focused repertoire will find this arrangement both playable and genuinely moving.

How to get the most out of it

  • Let the melody breathe at the phrase endings; resist the urge to rush through transitions between sections.
  • Anchor the chord changes with a steady, unhurried strum pattern that lets the lyrical quality come through.
  • Shape the dynamic arc to match the emotional trajectory of the text, building gently toward the chorus.

How to use it

Pair this with other early 20th-century standards for a vintage popular music set, or feature it as a solo piece that showcases lyrical playing over flashy technique. It works equally well as a slow interlude between higher-energy numbers or as a reflective opener.

Skills your students will build

  • Legato chord transitions on ukulele
  • Phrasing and dynamic shaping in lyrical melody
  • Awareness of harmonic progression in standards-based repertoire

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