The Witches of Eastwick Cover Image

The Witches of Eastwick: Piano/Vocal/Guitar Book

$23.99 USD
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The Witches of Eastwick Cover Image

The Witches of Eastwick: Piano/Vocal/Guitar Book

Vocal Selections

By Dana Rowe

Item: 12-0571529976

$23.99
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Description
The story, based on the John Updike novel, is set in the fictional Rhode Island town of Eastwick in the late 1960s, and follows the witches Alexandra Spofford, Jane Smart, and Sukie Rougemont, who acquired their powers after leaving or being left by their husbands. Their coven is upset by the arrival of a devil-like character, Darryl Van Horne. The mysterious Darryl seduces each of the women, encouraging them to play with their powers and creating a scandal in the town.

This songbook features twelve songs and has a selection of color and black & white photographs from London's West End production of 2000 which starred Ian McShane, Lucie Arnaz, Maria Friedman and Joanna Riding.

Titles:
Make Him Mine * Waiting for the Music to Begin * Words, Words, Words * Something * Dirty Laundry * I Wish I May * Another Night at Darryl's * Dance with the Devil * Evil * Loose Ends * Who's the Man? * Look at Me.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-52997-6
ISBN13: 978-0-571-52997-1
UPC: 9780571529971
SKU: 12-0571529976

More about this title

About the Composer: Dana Rowe

Dana Rowe is a composer and lyricist who has written for both stage and screen, bringing a gift for character-driven storytelling through music. His work on The Witches of Eastwick demonstrates his ability to craft distinctive vocal lines and theatrical moments that serve the narrative while remaining engaging for performers at multiple levels.

Why we love this

This songbook captures music that balances theatrical sophistication with genuine singability. The twelve songs span a range of moods and vocal textures, giving singers and pianists real material to sink their teeth into while remaining accessible for performers who want to explore contemporary musical theatre without extensive operatic training.

What to expect

The music balances wry humor with genuine sensuality and dark undertones. Songs range from jazzy, sophisticated numbers to moments of vulnerability and seduction, all grounded in late 1960s theatrical language that feels both period-specific and timeless. The overall arc moves from curiosity through temptation to chaos, creating a collection that rewards singers who can navigate both comedic timing and emotional depth.

Who it's for

This book serves pianists, guitarists, and singers exploring contemporary musical theatre, as well as private voice teachers looking for material beyond traditional standards. It works equally well for community theatre productions, school musical theatre programs, and performance classes where singers need contemporary repertoire with real dramatic substance.

How to get the most out of it

  • Work the accompaniment figures on piano first to understand the harmonic language; Rowe's writing often layers character and mood through instrumental detail that frames the vocal line.
  • Pay attention to the lyrical storytelling in each number—these songs advance plot and reveal character psychology, so clarity of text and intentional phrasing will strengthen any performance.
  • Use the chord symbols and guitar voicings to experiment with different instrumental textures; the book's flexibility means you can strip arrangements down to voice and piano or build them out depending on your performance setting.

How to use it

Consider programming individual songs in cabaret settings or revue concerts that explore musical theatre repertoire from the 2000s. The material also works well as audition pieces for singers preparing for contemporary musical theatre roles, or as a complete song cycle for advanced students studying character development through music.

Skills your students will build

  • Singing contemporary musical theatre style with jazz and pop inflections
  • Interpreting character through vocal phrasing and rhythmic flexibility
  • Reading and accompanying music written with guitar voicings and jazz harmonies
  • Coordinating piano and guitar accompaniments from chord symbols
  • Sustaining dramatic storytelling across a song cycle with thematic coherence

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