The Will Rogers Follies: Vocal Selections Cover Image

The Will Rogers Follies: Vocal Selections: Piano/Vocal/Chords Book

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The Will Rogers Follies: Vocal Selections Cover Image

The Will Rogers Follies: Vocal Selections: Piano/Vocal/Chords Book

Music by Cy Coleman, lyrics by Betty Comden and Adolph Green

Item: 00-VF1755

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Willamania * Give a Man Enough Rope * It's a Boy * My Unknown Someone * The Big Time * My Big Mistake * Marry Me Now * Look Around * Favorite Son * No Man Left for Me * Never Met a Man I Didn't Like.

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Additional Details
Publisher: Alfred Music
Page Count: 72
ISBN10: 0-89724-179-7
ISBN13: 978-0-89724-179-3
UPC: 723188617555
SKU: 00-VF1755

More about this title

About the Composer: Cy Coleman

Cy Coleman (1929-2004) composed music for theater, film, and television with a gift for crafting melodies that lodge instantly in memory. His scores for The Will Rogers Follies, City of Angels, and On the Twentieth Century earned him Tony Awards and established him as a master of musical comedy. Coleman studied classical composition at prestigious institutions but found his true voice in musical theater, where his jazz-inflected harmonies and gift for character songs shaped Broadway for decades.

Why we love this

Coleman's score sparkles with charm and specificity. These selections capture the warmth and wit of Will Rogers himself, with melodies that sit naturally for singers while offering enough harmonic sophistication to keep pianists engaged. The variety across the eleven songs gives vocalists real range to explore both intimate character moments and showier comedic numbers.

What to expect

Americana with Broadway polish. These songs evoke the spirit of Will Rogers himself: unpretentious, witty, and deeply human. Coleman's melodies feel familiar even on first hearing, and the piano writing blends jazz sensibility with theatrical directness, creating accompaniments that support singers without overwhelming them.

Who it's for

Vocalists and pianists preparing songs from this beloved musical for recitals, auditions, or concert programs. Directors assembling revue-style shows will find ready-made selections that showcase individual performers while maintaining the warmth and humor of the original.

How to get the most out of it

  • Balance the vocal line against the piano so lyrics remain crystal clear; Coleman wrote for intelligibility, and the humor lands only when the audience hears every word.
  • Use the chord symbols as a foundation, but listen to how Coleman's piano voicings enhance the emotional landscape of each song. Honor those colors in your accompaniment.
  • Take time with the comedic timing in uptempo numbers like 'Never Met a Man I Didn't Like.' The rhythm should swing without rushing.
  • In ballads like 'My Unknown Someone,' resist the urge to oversell the sentiment. Coleman's restraint is part of what makes these moments effective.

How to use it

Feature individual selections in a cabaret-style concert or revue. The range of moods across these eleven songs allows you to build a mini-program that moves from comedy to genuine emotion. Alternatively, train singers on the complete score by selecting one or two pieces at a time across the rehearsal season.

Skills your students will build

  • Performing with clear diction and comedic timing in musical theater
  • Reading and interpreting chord symbols in a jazz-influenced harmonic context
  • Balancing legit soprano singing with the rhythmic flexibility required for theater
  • Collaborating with a pianist to shape phrasing and dynamics within an accompaniment
  • Understanding character through song in musical theater repertoire

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