The Wexford Carol: String Orchestra Conductor Score & Parts
By Traditional Irish Carol / Arranged by Larry Moore
Grade: 2-3
Item: 35-PK00412905
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| Product | Price | Quantity |
|---|---|---|
| The Wexford Carol - Conductor Score (Full Score) | $6.00 | |
| The Wexford Carol - Violin 1 | $7.00 | |
| The Wexford Carol - Violin 2 | $7.00 | |
| The Wexford Carol - Violin 3 (Viola Treble Clef) | $7.00 | |
| The Wexford Carol - Viola | $7.00 | |
| The Wexford Carol - Cello | $7.00 | |
| The Wexford Carol - Bass | $7.00 | |
| The Wexford Carol - Piano | $7.00 | |
| The Wexford Carol - Percussion | $7.00 |
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About the Author: Traditional Irish Carol
The Wexford Carol emerged from Irish folk tradition, passed down through generations in County Wexford and beyond. Like many carols rooted in oral culture, it carries the mark of a community rather than a single composer, its melody and text refined through countless performances across centuries.
Why we love this
Larry Moore's arrangement strips away the expected Victorian heaviness that often weighs down holiday standards, replacing it with modern harmonic language that keeps the melody front and center. The orchestration sits perfectly for younger players without sacrificing musicality, making this one of the few holiday pieces that sounds genuinely contemporary rather than nostalgic. At two minutes, it fills a real programming slot between heavier works without feeling slight.
What to expect
Wintry and reflective without sentimentality. Moore's harmonies add depth to the simple melody, creating moments of unexpected warmth that feel genuine rather than manufactured. The piece breathes easily, allowing younger players to experience how contemporary writing can honor a traditional tune.
Who it's for
String orchestras in grades 2 and 3 looking for holiday repertoire that doesn't rely on familiar arrangements. Directors programming December concerts who want something recognizable enough for audiences but arranged with enough musical substance to respect their students' growing musicianship.
How to get the most out of it
- Balance the melody across your first violins so it sings clearly; the harmonic interest in the accompaniment voices can easily overshadow the tune if violas and cellos aren't kept transparent.
- The contemporary harmony will feel unfamiliar to students at first. Take time in rehearsal to hear how each chord functions rather than rushing through the changes.
- Shape the phrasing in four-bar units rather than getting caught in a rhythmic grid; this keeps the carol's lyrical character intact and prevents the piece from feeling mechanical.
How to use it
Reserve this for a December concert where you're balancing lighter fare with more substantial works; its brevity and accessibility make it an ideal opener or intermission piece. Pair it with one or two other carols arranged for different ensembles to create a thematic holiday segment.
Skills your students will build
- Voice leading in contemporary harmonic contexts
- Sustaining melodic phrasing across multiple phrases
- Balancing transparent accompaniment textures
- Playing with warm, focused tone in the carol idiom