The Wedding Gig Book, Volume 1 Cover Image

The Wedding Gig Book, Volume 1: Tuba Part(s)

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The Wedding Gig Book, Volume 1 Cover Image

The Wedding Gig Book, Volume 1: Tuba Part(s)

Arr. David Marlatt

Level: Medium

Item: 81-BQ29325

$7.95
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Description
This is a collection of popular pieces of Classical music that are commonly used during wedding ceremonies. These pieces can be used as Processionals, Recessionals, the Signing of the Register or simply as a musical offering during the service. Many of the pieces are quite short and can be repeated as many times as required to facilitate timing considerations such as the bridal party coming down the aisle and the Signing of the Register. All pieces are at the medium level which makes them approachable by the widest range of brass quintets from good elementary school groups to a professional ensemble looking for 30 minutes of music. Pieces included in this volume are: Prelude to Te Deum * Ave Maria (Gounod) * Hornpipe from Water Music * Wachet Auf * Ode to Joy * Trumpet Voluntary (Clarke) * Air from Water Music * Canon * Largo from Winter (The Four Seasons) * Wedding March (Wagner).

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Sample Pages

No sample pages found.

Sample Audio
1 Air from Water Music --:--
2 Ave Maria --:--
3 Canon --:--
4 Hornpipe from Water Music --:--
5 Largo from Winter --:--
6 Ode to Joy --:--
7 Prelude to Te Deum --:--
8 Trumpet Voluntary --:--
9 Wachet Auf --:--
10 Wedding March --:--

Air from Water Music

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Sample Video
Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 16
ISBN10: 1-55473-452-5
ISBN13: 978-1-55473-452-8
UPC: 685462014538
SKU: 81-BQ29325
Instrumentation: Tuba

More about this title

Why we love this

Marlatt understands the practical demands of wedding work. These arrangements give tuba players genuine melodic material instead of relegating them to harmonic support, which matters when you're performing in a ceremony where every instrument carries weight. The collection spans repertoire everyone expects to hear, so you're not introducing unfamiliar pieces at a moment when tradition matters most.

What to expect

This is music steeped in ceremony and tradition. Pieces like the Prelude to Te Deum and Wagner's Wedding March carry historical weight and formal grandeur, while selections like Ode to Joy bring a sense of celebration and hope. The tuba part gives you genuine voice in creating the emotional landscape, not just filling harmonic space. Together, these ten pieces create a through-line that feels both familiar and elegant.

Who it's for

Tuba players in brass quintets preparing wedding ceremonies and similar formal occasions. Whether you're in an advanced high school ensemble, a college brass group, or a working professional quintet, these medium-level arrangements provide the repertoire that ceremonies demand. You'll find the music neither oversimplified nor technically forbidding, making the collection useful across multiple skill levels within the same engagement.

How to get the most out of it

  • Balance your tone to sit comfortably in the quintet voicing without overwhelming the higher brass. These arrangements position the tuba prominently enough that clarity of pitch and articulation will be heard.
  • Work out repeats in advance with your ensemble. Since pieces are designed to accommodate timing needs like the processional, agree on exactly how many times you'll play each section rather than cueing during the ceremony.
  • Tailor your vibrato to the character of each piece. The formal dignity of Clarke's Trumpet Voluntary calls for restraint, while Gounod's Ave Maria benefits from a warmer, more singing approach.
  • Pay attention to the fermatas and cadences. Wedding ceremonies prize clear phrase endings, so lock in those moments with your ensemble for confident transitions between pieces.

How to use it

This collection is designed specifically for wedding work, whether your ensemble plays the full ceremony or a portion of it. Use shorter pieces like Canon and Air from Water Music as the bride's processional, building to something grander like Wagner or Clarke for the recessional. The included pieces work well with repeats to manage timing during the signing of the register, and you can select a subset if the ceremony calls for just 10 or 15 minutes of music rather than the full 30.

Skills your students will build

  • Reading medium-difficulty brass quintet voicings with independent tuba lines
  • Ensemble balance and blend in formal ceremonial contexts
  • Responding to and managing repeats for time-flexible performance requirements
  • Stylistic flexibility across both Baroque and Romantic-era repertoire
  • Confident accompaniment of processional and recessional tempos

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