The Way We Were: Jazz Ensemble Conductor Score & Parts
Arranged by Mark Taylor
Grade: 4
Item: 35-PK00260174
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| The Way We Were - Conductor Score (Full Score) | $7.50 | |
| The Way We Were - Alto Sax 1 | $6.00 | |
| The Way We Were - Alto Sax 2 | $6.00 | |
| The Way We Were - Tenor Sax 1 | $6.00 | |
| The Way We Were - Tenor Sax 2 | $6.00 | |
| The Way We Were - Baritone Sax | $6.00 | |
| The Way We Were - Trumpet 1 | $6.00 | |
| The Way We Were - Trumpet 2 | $6.00 | |
| The Way We Were - Trumpet 3 | $6.00 | |
| The Way We Were - Trumpet 4 | $6.00 | |
| The Way We Were - Trombone 1 | $6.00 | |
| The Way We Were - Trombone 2 | $6.00 | |
| The Way We Were - Trombone 3 | $6.00 | |
| The Way We Were - Trombone 4 | $6.00 | |
| The Way We Were - Guitar | $6.00 | |
| The Way We Were - Piano | $6.00 | |
| The Way We Were - Bass | $6.00 | |
| The Way We Were - Drums | $6.00 | |
| The Way We Were - Vibes | $6.00 |
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More about this title
About the Arranger: Mark Taylor
Mark Taylor is a prolific jazz arranger whose work defines the contemporary jazz ensemble repertoire. His arrangements balance accessibility with musical sophistication, making them invaluable for programs seeking repertoire that challenges without overwhelming young musicians.
Why we love this
This arrangement captures the wistful nostalgia of the original while giving your ensemble room to swing. The Grade 4 voicings demand precision and intonation work without requiring a virtuoso section, making it ideal for building ensemble maturity across a mixed-ability group.
What to expect
Elegant and reflective. The arrangement honors the emotional depth of the melody while creating natural swing grooves that invite the ensemble to settle into genuine jazz feel rather than merely playing notes on time.
Who it's for
Jazz ensembles at the intermediate level who have solid fundamentals but are still developing their swing vocabulary. This works equally well for high school programs building a concert set or middle school groups ready for more sophisticated material.
How to get the most out of it
- Establish the groove early in rehearsals by isolating the rhythm section and locking the walking bass line to the drum feel before layering horns.
- Shape the ballad sections with attention to dynamics and space; silence is as important as the notes themselves in this arrangement.
- Work the brass soli as a choir, treating entrances and cutoffs with orchestral precision rather than the looser phrasing jazz musicians might instinctively gravitate toward.
How to use it
Pair this with an uptempo feature or a blues head to build a complete jazz concert set. It also serves as an excellent ballad feature for demonstrating lyrical sensibility in a winter or spring jazz showcase.
Skills your students will build
- Jazz phrasing and note articulation appropriate to swing ballads
- Ensemble intonation in four-part voicings
- Responding to and maintaining a walking bass line
- Sectional coordination with horn lines moving independently of rhythm section
- Dynamics control to support the emotional arc of a ballad form