The Waltzing Cat Cover Image

The Waltzing Cat: String Orchestra Conductor Score & Parts

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The Waltzing Cat Cover Image

The Waltzing Cat: String Orchestra Conductor Score & Parts

By Leroy Anderson / arr. Jack Bullock

Grade: 2.5

Item: 00-31524

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Description
A totally charming piece from the master of light classical music! Written during the period when Anderson's music was composed for and introduced by The Boston Pops Orchestra, it continues to maintain the popularity that occurred with the very first performance. This simple arrangement serves as an introduction for students to this popular music style and this remarkable composer.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Waltzing Cat: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Orchestra Expressions
Publisher: Alfred Music
Page Count: 76
UPC: 038081344317
SKU: 00-31524

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908-1975) was an American composer and conductor who became synonymous with light classical music in the mid-20th century. His orchestrations for the Boston Pops Orchestra under Arthur Fiedler established a model for accessible, witty concert music that appealed to both sophisticated audiences and general listeners. Anderson's gift for melody and orchestral color made him a prolific writer of short, engaging pieces that remain staples of pops concerts and student orchestras.

Why we love this

This arrangement captures everything that makes Anderson's writing so teachable: clear textures, memorable themes, and genuine charm without condescension. The Grade 2.5 difficulty sits perfectly in the zone where students can play real music rather than etudes, building confidence and genuine enjoyment of the repertoire. Audiences respond immediately to Anderson's melodic gift, making this an ideal choice when you want rehearsal efforts to result in genuine applause.

What to expect

Delightful and sophisticated in the best sense. The piece evokes a ballroom scene with lightness and grace, full of Anderson's signature clever touches and orchestral sparkle. Despite its simplicity, it never feels simplistic; instead, it invites players and listeners into a world of refined humor and genuine beauty.

Who it's for

String orchestra directors working with intermediate to early advanced students who are ready for repertoire with real musical substance. This piece works equally well for school ensembles building concert programs and community orchestras seeking crowd-pleasing material that doesn't sacrifice artistry.

How to get the most out of it

  • Shape the main waltz theme with natural phrase breathing; the melody should sing even in a string arrangement, so avoid mechanical evenness in the accompaniment figures.
  • Pay attention to articulation changes between slurred and detached passages; Anderson's humor often lives in the precision of these details, not in exaggeration.
  • Balance the inner voices so pizzicato or staccato accompaniment doesn't overshadow the melodic line; clarity of texture is more important than weight.
  • Keep the tempo steady and graceful; the waltz character works best when players feel the gentle pulse rather than rushing ahead in excitement.

How to use it

Program this as a palate cleanser between more serious works, or use it as the centerpiece of a pops-style concert that celebrates accessible orchestral writing. It also serves beautifully as a confidence builder mid-season when you want to introduce students to a composer whose work they'll encounter throughout their musical lives.

Skills your students will build

  • Singing sustained melodic lines while maintaining rhythmic precision in accompaniment patterns
  • Balancing inner voices and maintaining textural clarity in light orchestral writing
  • Understanding and executing articulation contrast (legato, staccato, pizzicato) as a tool for musical characterization
  • Reading and responding to conductor cues in a straightforward concert piece with clear sectional structure
  • Maintaining a steady waltz tempo and phrasing across longer musical phrases

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