The Victor Johnson Collection Cover Image

The Victor Johnson Collection: Medium High Vocal Book

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The Victor Johnson Collection Cover Image

The Victor Johnson Collection: Medium High Vocal Book

Folk Songs, Spirituals, and Poetic Settings for Solo Voice and Piano

By Victor C. Johnson

Item: 00-52193

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Description
Discover the artistry of Victor Johnson in this stunning collection of vocal solos. Perfect for recitals and concerts, it includes a mix of original songs and carefully crafted arrangements by the renowned composer. It's an essential resource for any soloist looking to expand their repertoire and elevate their performances. Titles: A la Nanita Nana * And This Shall Be for Music * Follow the Drinking Gourd * My Lord, What a Morning * Peace Like a River * The Road Not Taken * Shenandoah * The Turtle Dove * What Do the Stars Do?

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Additional Details
Publisher: Alfred Music
Page Count: 52
ISBN10: 1-4706-8154-4
ISBN13: 978-1-4706-8154-8
UPC: 038081606125
SKU: 00-52193

More about this title

About the Composer: Victor C. Johnson

Victor C. Johnson

Victor C. Johnson, based in Dallas, Texas, has established himself as a prolific voice in choral music and vocal literature. With more than 500 published works spanning choral compositions, vocal solo collections, and keyboard pieces, he has shaped the repertoire available to singers and directors across the country. His role as School Choral Editor for Sing! (the educational arm of Choristers Guild) positions him at the center of contemporary choral publishing.

Johnson's career reflects deep roots in music education and ensemble leadership. He directed choral programs at Ft. Worth Academy of Fine Arts from 2000 to 2018, where he led multiple ensembles and served as artistic director for regional youth choirs. Since 2022, he has conducted the Dallas Symphony Children's Chorus Mixed Ensemble, working with high school students in the Dallas Symphony's resident youth program. His memberships in the American Choral Directors Association, Texas Music Educators Association, and other professional organizations underscore his commitment to the field.

Why we love this

Johnson's sensibility as both a composer and a choral director means he writes with genuine understanding of what singers need to sound and feel their best. This collection balances beloved folk material and spirituals with original compositions, giving soloists a coherent set that builds confidence while maintaining musical substance. The arrangements sit well for medium high voices without oversimplifying the harmonic language or accompaniment.

What to expect

This collection moves between intimate reflection and warm storytelling. The spirituals and folk songs carry the weight of tradition while sounding fresh through Johnson's accompaniments; the original compositions extend that same generosity of spirit into new territory. Across all nine selections, there's a consistent sense of respect for both the singer and the listener, with no unnecessary technical obstacles getting in the way of genuine musical expression.

Who it's for

Soloists with medium high voices preparing for recitals, competitions, or concert performances will find a versatile range of styles and moods to develop their artistry. Teachers and coaches looking to build a student's repertoire with high-quality, singable material will appreciate Johnson's craft and accessibility. This collection suits singers at the advanced high school through early college level who are ready to engage with both traditional and newly composed solo literature.

How to get the most out of it

  • Allow the text to drive your phrase shape rather than adhering to rigid bar lines; Johnson's arrangements often honor the natural speech patterns of the lyrics.
  • Listen closely to the piano part for harmonic and emotional cues, especially in the interludes and postludes, which frame and deepen the vocal line.
  • In the spiritual and folk selections, consider the historical or cultural context of each piece; this awareness will inform your interpretation of tempo, articulation, and dynamic shaping.
  • Work through the accompaniment separately before combining it with your voice; understanding the harmonic progression will clarify your melodic phrasing and intonation.

How to use it

Program selections from this collection to create a thematic recital around American musical heritage, pairing spirituals and folk songs with Johnson's own works to show continuity between tradition and contemporary composition. These pieces also work well as lighter concert offerings alongside more demanding choral works, offering your audience a change of pace while maintaining musical integrity. Individual selections are substantial enough to anchor a program section, or cluster them to fill a 10-15 minute segment of a larger concert.

Skills your students will build

  • Legato phrasing across longer phrase arcs while maintaining clear text articulation
  • Interpreting harmonic and emotional context from piano accompaniment
  • Stylistically informed performance of spirituals and folk material
  • Sustaining vocal tone and breath management in lyrical, song-like settings
  • Communicating narrative and emotional intent through solo performance

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