(The) Very Best of Times: Jazz Ensemble Conductor Score & Parts

Goodwin channels Count Basie's economy and swing without sacrificing the harmonic sophistication his film work demands. The solo section balances spotlight moments for your section leaders with genuine ensemble writing, so no one sits idle while waiting for their break. At 140 BPM with clean ranges and straightforward part independence, this chart lets a strong high school band sound polished within reach.

Sleek, driving, and built for a concert that moves. The chart swings hard in the Basie tradition while incorporating harmonic and orchestral touches that recall Goodwin's film scoring background. Solo space lets featured players shine, but the real payoff is collective: an ensemble cooking together at a brisk tempo with style and precision.

Advanced high school jazz ensembles with solid fundamentals and section leaders capable of trading solos with ensemble support. This chart rewards bands with disciplined rhythm sections and confident brass sections willing to commit to a swing groove at tempo.

• Establish the groove early in sectional rehearsals. This chart depends on ensemble commitment to the swing feel; lock the rhythm section (bass, drums, piano) before adding soloists.
• Manage the lead trumpet range carefully. The written high E sits above the staff; transposition or doubling options may suit your lead player's comfort and the hall acoustics.
• Shape the solo section with clear section dynamics. Each soloist benefits from a supportive swell beneath them; resist the urge to drop volume indiscriminately.
• Emphasize articulation clarity in the ensemble hits. Goodwin's orchestration relies on precise attacks to define the Basie-style punch.

Program this as a late-set feature that showcases ensemble musicianship and individual soloist maturity. The 8-minute runtime and upbeat character make it an ideal set-closer or a strong anchor for a concert built around classic big band repertoire. It pairs well with standards or other Goodwin charts that have already established your band's jazz credentials.

• Swing feel and ensemble cohesion at tempo
• Solo navigation in a traditional big band context
• Balance between section and ensemble playing
• Reading and executing Basie-style articulation and phrasing
• Ensemble listening across an eight-minute performance