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The Very Best of Diana Krall: Piano/Vocal/Chords Book

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The Very Best of Diana Krall Cover Image

The Very Best of Diana Krall: Piano/Vocal/Chords Book

Diana Krall

Item: 00-32070

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Description
Krall's top-selling "Best of" album, transcribed note-for-note to capture every nuance of her dynamic piano and vocal talent. Titles: 'S Wonderful * All or Nothing at All * East of the Sun (And West of the Moon) * Fly Me to the Moon * I've Got You Under My Skin * Let's Face the Music and Dance * Let's Fall in Love * Little Girl Blue * Only the Lonely * Peel Me a Grape * Pick Yourself Up * The Frim Fram Sauce * The Heart of Saturday Night * The Look of Love * You Go to My Head.

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Additional Details
Publisher: Alfred Music
Page Count: 96
ISBN10: 0-7390-5818-5
ISBN13: 978-0-7390-5818-3
UPC: 038081350066
SKU: 00-32070

More about this title

About the Artist: Diana Krall

Diana Krall is a Canadian jazz pianist and vocalist who emerged in the 1990s as one of the most commercially successful jazz artists of her generation. Known for her sophisticated interpretations of jazz standards and her commanding piano technique, Krall bridges the worlds of jazz, pop, and cabaret with a distinctive voice and elegant arrangements that draw from the Great American Songbook.

Her appeal in music education lies in her approach to classic repertoire: she demonstrates how to honor the architecture and lyrical depth of standards while bringing contemporary sensibility and personal interpretation to every phrase. For pianists and vocalists studying jazz standards, her recordings and published arrangements serve as masterclasses in taste, restraint, and the marriage of piano and voice.

Why we love this

This collection captures some of jazz's most enduring standards in arrangements that honor both the pianist and vocalist equally. Each transcription preserves Krall's signature approach: sophisticated voicings, lyrical restraint, and the kind of musical intelligence that makes singers and pianists want to dig deeper into the material they're learning.

What to expect

Intimate and urbane. These arrangements live in the space between a jazz club and a concert hall, balancing technical sophistication with emotional directness. The music feels lived-in, never showy; there's room to breathe between the notes, and the emotional weight of each song emerges gradually rather than through display.

Who it's for

This book serves singers and pianists who want to explore jazz standards through arrangements that feel contemporary yet grounded in traditional jazz vocabulary. It's ideal for students pursuing jazz vocal performance or pianists building a repertoire of jazz-inflected popular songs; it's also valuable for classical pianists looking to expand into jazz and cabaret styles.

How to get the most out of it

  • Study the original recordings alongside the transcriptions to internalize Krall's phrasing and rubato; the printed page alone cannot convey the subtle time shifts and dynamic shaping that define her interpretation.
  • Balance the piano voicings with transparency rather than thickness; these standards rely on hearing both the melody and the harmonic architecture, so avoid overloading the left hand even when it seems full on the page.
  • Shape vocal lines around the lyrical content, not just the melodic contour. Krall's phrasing choices often prioritize the text and emotional arc of each song, which may differ from lead sheet conventions.
  • Treat the chord symbols as a foundation, not a restriction. Many of these voicings are specific to Krall's arrangements; experiment with inversions and substitutions that maintain her sophisticated harmonic language.

How to use it

This collection works well in jazz or cabaret recitals where students can showcase both vocal and piano skills, or in repertoire classes exploring how contemporary artists approach the American Songbook. Individual songs pair effectively with other standards in a themed concert; the range of moods and tempos allows flexible programming around a cohesive musical idea.

Skills your students will build

  • Reading jazz voicings and substitutions from chord symbols
  • Balancing melody and accompaniment when piano and voice share prominence
  • Interpreting rubato and phrase shaping in jazz contexts
  • Understanding how text informs musical phrasing in lyrical songs
  • Managing the relationship between notated rhythms and swing interpretation
  • Building interpretive choices grounded in harmonic understanding rather than melodic habit

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