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The Upsweep: Jazz Ensemble Conductor Score

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The Upsweep Cover Image

The Upsweep: Jazz Ensemble Conductor Score

By Alan Baylock

Grade: 3.5

Item: 00-50950S

$11.00
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Description
This chart is a very hip funky rock with a driving groove. Played around 92 BPM. Solos are provided for trombone 1 and alto 1. Lead trumpet range is to written G on top of the staff. This chart will really work best with electric bass and piano. The band will dig it! (4:15)

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 16
ISBN10: 1-4706-6988-9
ISBN13: 978-1-4706-6988-1
UPC: 038081591773
SKU: 00-50950S

More about this title

About the Composer: Alan Baylock

Alan Baylock

Alan Baylock has shaped jazz education and performance at the highest levels for decades. He directed the One O'Clock Lab Band at the University of North Texas and spent 20 years as Chief Arranger for the Airmen of Note, the United States Air Force Band's premier jazz ensemble. His own Alan Baylock Jazz Orchestra recorded three albums and toured extensively across the country, establishing him as a voice in contemporary jazz composition and arrangement.

Beyond the bandstand, Baylock has guest-conducted over 100 jazz ensembles ranging from high school to professional levels and taught at the National Jazz Workshop. In 2022, he co-founded Brava Jazz Publishing with composer and arranger Annie Booth, dedicating the venture to publishing and promoting women composers and arrangers in big band jazz. His work appears on recordings by artists including Melissa Aldana, the Brecker Brothers, Kurt Elling, and Arturo Sandoval, and his music is published by Alfred Music and other major distributors.

Why we love this

Baylock writes the kind of groove that gets students excited to rehearse. The funky rock pocket is instantly engaging, yet the chart never condescends; solos for trombone 1 and alto 1 give your section leaders real voices, and the trumpet lead line sits high enough to challenge your front row without becoming a liability. At Grade 3.5, this lands in the sweet spot where an ambitious high school ensemble can feel the energy of modern jazz ensemble writing without drowning in the technical demands.

What to expect

The Upsweep moves with a funky, propulsive energy that sits somewhere between rock attitude and jazz sophistication. At 92 BPM, the groove feels forward and unhurried, inviting the band to settle into a hip pocket while the melody and solo voices add sparkle and swing.

Who it's for

High school and collegiate jazz ensembles looking for contemporary material that balances musicality with accessibility. The Grade 3.5 level makes it reachable for strong high school groups while remaining engaging enough for college ensembles seeking modern repertoire.

How to get the most out of it

  • Lock the rhythm section first. Get electric bass and piano locked into the 92 BPM groove before bringing in horns; the pocket depends on their cohesion, and a tight foundation will anchor the whole chart.
  • Balance the solo sections carefully. The trombone 1 and alto 1 solos need space to breathe and swing, so pull back the accompanying voices just enough to let the soloists own their moment without losing the ensemble's forward motion.
  • Attack the written G on trumpet with intention. That high note at the top of the staff won't feel strained if the section approaches it from a strong, grounded high register. Rehearse the lead trumpet part with particular attention to intonation and support at altitude.
  • Lean into the hip, funky character. This is not bebop. Honor the rock and funk elements by emphasizing the groove and allowing the rhythm and articulation to feel modern and relaxed rather than swing-oriented.

How to use it

Slot this into a concert as a showcase for your ensemble's contemporary jazz chops. The 4:15 length and accessible level make it ideal for a mixed program alongside more traditional big band material, and the solo opportunities give featured players a chance to step into the spotlight.

Skills your students will build

  • Funk and rock groove execution in a jazz context
  • Solo improvisation and phrasing (trombone 1 and alto 1 soloists)
  • High trumpet register control and intonation
  • Rhythm section interdependence and pocket playing
  • Articulation and stylistic authenticity in contemporary jazz

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