The Under-Side of Green Cover Image

The Under-Side of Green: Book, Woodwinds

$63.00 USD
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The Under-Side of Green Cover Image

The Under-Side of Green: Book, Woodwinds

-1994

By Rebecca Saunders

Item: 98-EP7503

$63.00
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 24
ISBN10: 0-57-700179-5
ISBN13: 979-0-5770-0179-1
SKU: 98-EP7503

More about this title

About the Composer: Rebecca Saunders

Rebecca Saunders is a British composer whose work centers on the expressive and timbral possibilities of acoustic instruments. Her compositions often explore how traditional instruments can generate unexpected sonorities through extended techniques and precise notational control, positioning her as a significant voice in contemporary classical music.

Saunders has received commissions from major ensembles and festivals worldwide and has taught composition at numerous institutions. Her writing for solo and chamber forces demonstrates an acute ear for the relationships between sound materials and their emotional resonance, making her work valuable for musicians seeking to expand their technical and interpretive range.

Why we love this

Saunders writes for clarinet with genuine specificity, creating a work that respects the instrument's voice while asking it to go places many clarinetists haven't explored. This 24-page collection gives your students or studio musicians a direct encounter with contemporary compositional thinking without sacrificing musical coherence or engagement.

What to expect

The music occupies a contemplative, exploratory space. Extended techniques and careful dynamic shaping create an intimate quality even when the writing ventures into unfamiliar territory, inviting the clarinetist and listener into a close examination of sound itself.

Who it's for

This collection suits clarinet students or professionals ready to engage with contemporary music on its own terms. It works best for musicians with solid fundamentals who are curious about what the instrument can do beyond standard repertoire and can handle notational demands without losing focus on musicality.

How to get the most out of it

  • Study the extended techniques notation carefully before rehearsing; Saunders's indications are precise, and understanding her symbols unlocks the intended sonorities rather than creating obstacles.
  • Balance technical accuracy with expressive intent: the notational complexity serves the musical idea, not the reverse.
  • Allow time for the sustaining passages to settle; resist the urge to fill silence, as the timbral exploration often lives in the space between conventionally "finished" phrases.

How to use it

Program this as a solo feature in a contemporary music concert or chamber music series where audiences expect to encounter new work. It also serves as a bridge repertoire choice for advanced students transitioning from standard classical works into living composers, signaling artistic growth without requiring a full recital dedicated to avant-garde material.

Skills your students will build

  • Reading extended clarinet techniques and contemporary notation
  • Developing timbral control and tone manipulation
  • Interpreting dynamic and articulation markings with precision
  • Building comfort with abstract musical structures and non-traditional phrasing
  • Connecting technical facility to expressive storytelling in contemporary contexts

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