The Twelve Days After Christmas: SAB Choral Octavo
Words and music by Frederick Silver
Item: 00-PO-0001043
Minimum order quantity: 20 copies
Pickup currently not available
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Description
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More about this title
Why we love this
This piece captures the comedic potential of a beloved holiday song without relying on tired parody formulas. The SAB voicing makes it genuinely accessible for community and school choirs while the sound effects track transforms a simple arrangement into a full theatrical experience that audiences won't forget.
What to expect
Irreverent and clever, with an edge of contemporary humor that respects the original melody while demolishing the romantic sentiment. The arrangement feels modern and playful, never mean-spirited, keeping the focus on the absurdity of managing twelve unwieldy gifts the day after the holidays.
Who it's for
Choirs looking for an encore piece or holiday concert finale that lands differently than standard Christmas fare. The SAB voicing works for mixed voices at intermediate level, making it suitable for high school and adult community groups.
How to get the most out of it
- Lean into the comedic timing with your soloists and section leaders. The humor lands hardest when the vocals stay grounded and deadpan while the accompaniment and effects do the heavy lifting.
- Balance clarity in the upper voices so the lyrics punch through. With novelty material, the audience needs to catch every joke without straining to hear.
- Rehearse with the recorded accompaniment early so your singers understand the pacing and can lock into the rhythm when the effects kick in.
How to use it
Save this for the second half of a holiday concert when you want to shift the mood and send the audience out laughing. It pairs well following your more reverent holiday selections, giving your singers a chance to loosen up and have fun while performing.
Skills your students will build
- Stylistic contrast between humorous and earnest musical moments
- Performing with recorded accompaniment and coordinating with sound effects
- Lyrical diction and comedic delivery without sacrificing vocal quality
- Understanding voicing in SAB (managing the baritone line independence from melody and alto)