The Tree Without End: Full Orchestra Conductor Score & Parts
Arranged by Evan Hause
Item: 35-PK00274857
$30.35
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| The Tree Without End - Full Score | $11.75 | |
| The Tree Without End - Flute | $2.90 | |
| The Tree Without End - Flute/Piccolo | $2.90 | |
| The Tree Without End - Oboe | $2.90 | |
| The Tree Without End - Oboe | $2.75 | |
| The Tree Without End - Clarinet | $2.75 | |
| The Tree Without End - Bb Clarinet/Bass Clarinet | $2.75 | |
| The Tree Without End - Bassoon | $2.75 | |
| The Tree Without End - Bassoon 3/Contrabassoon | $2.75 | |
| The Tree Without End - F Horn | $2.75 | |
| The Tree Without End - F Horn | $2.75 | |
| The Tree Without End - Trumpet | $2.75 | |
| The Tree Without End - Trumpet | $2.75 | |
| The Tree Without End - Trombone | $2.75 | |
| The Tree Without End - Tuba | $2.60 | |
| The Tree Without End - Timpani | $2.60 | |
| The Tree Without End - Percussion | $2.60 | |
| The Tree Without End - Harp | $3.20 | |
| The Tree Without End - Violin | $3.20 | |
| The Tree Without End - Violin | $3.20 | |
| The Tree Without End - Viola | $3.05 | |
| The Tree Without End - Violoncello | $3.05 | |
| The Tree Without End - Contrabass | $2.90 |
Parts Added to Cart!
Description
2*22*2* 2211 Timp+2 Harp Strings Duration: 17:00
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00274857
More about this title
Why we love this
Hause crafts an orchestration that gives every section meaningful material without cluttering the texture. The 17-minute span allows thematic development to unfold naturally, making this substantial enough for a concert centerpiece yet thoughtfully paced to hold an audience's attention.
What to expect
A meditation that unfolds gradually, with organic growth rather than dramatic gestures. The full orchestra sound remains luminous and transparent, allowing individual lines to breathe even within dense harmonic textures.
Who it's for
Orchestra directors seeking a substantial contemporary work with accessible but sophisticated orchestration. This suits ensembles comfortable with standard instrumentation and the expressive demands of extended duration.
How to get the most out of it
- Balance the harp against the full orchestra by checking that it remains audible during tutti passages; the second harpist extends range possibilities without requiring doubling of every figure.
- Bring out the interplay between woodwinds and strings in slower sections to reveal the harmonic architecture that drives the work's emotional arc.
- Shape the timpani and percussion entrances with precision; they mark structural turning points and need clarity rather than volume.
How to use it
Position this as an anchor work on a concert program, perhaps after a shorter classical piece and before something more energetic. Its 17-minute arc makes it substantial enough to justify dedicated rehearsal time and gives your orchestra room to explore orchestral color and balance.
Skills your students will build
- Sustained phrase shaping across extended forms
- Balancing individual lines within full orchestration
- Independent part coordination without constant reliance on conducted pulse
- Dynamic and timbral control across the full instrumentation