The Total Acoustic Guitarist: A Fun and Comprehensive Overview of Acoustic Guitar Playing
A Fun and Comprehensive Overview of Acoustic Guitar Playing
By Frank Natter, Jr.
Item: 00-PB-0002227
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Black Haired Lady
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Why we love this
This method refuses to stay in one lane. Rather than cycling through the same fingerstyle patterns and folk arrangements that dominate acoustic guitar pedagogy, Natter builds a real continuum from foundational strumming through extended techniques like slapping and tapping. The backing tracks make independent practice genuinely engaging, so students actually want to work through the material between lessons.
What to expect
Playful and generous. You move between quiet, introspective passages and moments that ask you to make noise and experiment with the instrument's percussive possibilities. The arrangements feel designed to remind you why you picked up the guitar in the first place, whether that was to play folk songs or to eventually do something unexpected with the instrument.
Who it's for
Acoustic guitarists ranging from early intermediates through advancing players who want breadth as well as depth. This works equally well for self-taught players building a foundation and for ensemble musicians looking to expand their technical vocabulary beyond classical or fingerstyle repertoire.
How to get the most out of it
- Record yourself playing the exercises without backing tracks first. This reveals which passages need isolation work before you layer in the accompaniment.
- Start the backing track at a tempo slower than the recording allows. Your ear adjusts quickly to faster speeds, but rushing contemporary techniques sounds worse than careful, deliberate playing at half tempo.
- Switch between styles in the backing tracks for the same exercise. Moving from folk-style accompaniment to funk or contemporary arrangements forces you to adapt your approach and prevents muscle memory from locking into one sound.
How to use it
Assign this as supplementary material for guitarists in contemporary or jazz ensembles who need to solidify acoustic technique alongside their main repertoire. The short exercise format also works well for studio lessons with students who have limited practice time but want to cover new ground each week.
Skills your students will build
- Basic to intermediate strumming patterns and rhythm coordination
- Fingerstyle fundamentals and fingerpicking independence
- Contemporary acoustic techniques including tapping, slapping, and percussive effects
- Sliding, bending, and intonation control across extended ranges
- Listening and accompaniment skills with backing tracks in multiple musical styles
- Stylistic flexibility across folk, contemporary, and funk-influenced approaches